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Introduction to German Poetry: A Dual-Language Book (Dover Dual Language German), by Gustave Mathieu
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The poems in this anthology represent a panorama of the main trends in the development of the poetry of the German-speaking people. Beginning with a minnesong of the early Middle Ages and a poem of the seventeenth century, the book then focuses on the Age of Goethe (1749-1832). Inspired by Goethe and his contemporaries, German poetry was able to develop according to its own genius and to advance along new lines that eventually led to the period of Expressionism and Post-Expressionism with which this anthology ends.
Included here are the full German texts of 39 poems-lyrics, ballads, philosophical verse, humor, student songs-and three selections from longer works by Goethe, Novalis and Lenau. Some of the other poets represented are Walther von der Vogelweide, Schiller, Hölderlin, Heine, Rilke, Brecht, Hermann Hesse, Stefan George, Gryphius, Platen, Scheffel, Conrad Ferdinand Meyer and Albrecht Haushofer.
For each poem, this book includes an expert literal English translation on the facing page. You'll also find a biographical and critical discussion of each poet, textual information and a portrait of the poet. Here is a wonderful opportunity to discover the depth and richness of the German poetic tradition, and learn the language at the same time.
- Sales Rank: #634944 in eBooks
- Published on: 2012-05-31
- Released on: 2012-05-31
- Format: Kindle eBook
Language Notes
Text: English, German
About the Author
Guy Stern is Distinguished Professor of German at Wayne State University, Detroit. Born in Hildesheim, Germany in 1922, he emigrated to the United States in 1937. He resumed his university education in 1946 and earned degrees from Hofstra University and Columbia University, receiving his Ph.D. in 1953. During his more than 50 years of teaching he held professorships at various universities in the US and Germany. He founded (with Gottfried Merkel) the Lessing Society and the Lessing Yearbook; he is also an officer of the Leo Baeck Institute and the Kurt Weill Foundation. A specialist in German and Comparative Literature mainly of the 18th and 20th centuries he authored numerous studies in both fields. He has received numerous awards, among them the Goethe Medal, the Groe Bundesverdienstkreuz of the Federal Republic, and an honorary doctorate from Hofstra University. A festschrift was dedicated to him in 1987.
Most helpful customer reviews
37 of 37 people found the following review helpful.
The joy of German poetry
By Michael J. Mazza
"Introduction to German Poetry: A Dual-Language Book," edited by Gustave Mathieu and Guy Stern, is a wonderful anthology. It contains the work of thirty-four poets, mainly ranging from the 18th to 20th centuries. For the most part each poet is represented by a single short poem or excerpt, although some are represented by two or three pieces. The poems are presented in bilingual format, with the German and English versions on facing pages; this makes the book especially useful for those who are learning, or brushing up on, German. A note on the copyright page indicates that this book "is an unabridged and updated republication of the work originally published under the title _Invitation to German Poetry_" in 1959.
This is a diverse and enjoyable collection which shows how, in the hands of a skilled craftsman, the German language can be an instrument of great power and amazing beauty. The poems cover many topics and are varied in tone. Some of the poets whose work is represented include Johann Wolfgang von Goethe, Friedrich Schiller, Rainer Maria Rilke, Hermann Hesse, and Bertolt Brecht. For each poet there is a picture and a short biographical note; I found this supplemental material to be very informative.
Some of my favorite pieces in this collection are as follows. Heinrich Heine's "Ich wollte, meine Lieder" ("I Wish That All My Songs"): a delightfully witty and funny variation on the love poem. Viktor von Scheffel's "Altassyrish" ("Old Assyrian"): a humorous story-poem about a drunkard in an ancient tavern; it has the delicious flavor of a drinking song. Detlev von Liliencron's "Die Musik kommt" ("The Music's Coming"): uses wonderfully rich language to evoke the sights and sounds of a military marching band. Christian Morgenstern's "Der Werwolf" ("The Werewolf"): a funny and clever satire of German grammar. Erich Kastner's "Die Entwicklung der Menschheit" ("The Development of Mankind"): a witty satire of humankind, full of funny lines and written with a remarkable, scientific-sounding vocabulary.
Also worthy of note is Franz Werfel's Whitmanesque "An den Leser" ("To the Reader"), with its sweeping embrace of humanity. But my favorite of all is Stefan George's "Du schlank und rein wie eine flamme" ("You Slim and Pure Just Like a Flame"): a passionate, exquisitely constructed, and hauntingly beautiful love poem. For the best experience of this book, I recommend reading the poems out loud, and sharing them with a friend.
9 of 9 people found the following review helpful.
Sehr schoene Gedichte mit guten Uebersetzungen
By ML Kaiser
Es ist nie leicht, Gedichte in eine andere Sprache zu uebersetzen, aber es ist diesem Buch ueberwiegend gelungen. Man bekommt schnell einen Einblick in die Schoenheit der deutschen Sprache!
Wenn man seine Sprachkenntnisse im Deutschen mit einem lustigen Text vertiefen moechte, ohne dass eine englische Uebersetzung dabei ist, dann empfehle ich das Buch Der, die, was? So lernt man eine Menge ueber die deutsche Sprache und hat viel Spass dabei!
12 of 16 people found the following review helpful.
Not really an "introduction"
By Matthew M. Perry
I don't know if I would call this an introduction. It's more of a introductory source anthology by which I mean a compilation of poems by major poets with very little in the way of commentary, explanation, or analysis. This book has no footnotes, a three page introduction, and- despite claims to the contrary on the back cover -no substantial critical apparatus. There is no substantial discussion of German poetic form or ways in which it differs from English poetry. Most poets get a half page biographical blurb- which I guess the editors thought was sufficient criticism -before you are thrown into their poetry. The half page blurbs aren't even dense as far as half page blurbs go: the pages are '5 x '9 with inch wide margins and the font is about 10pt font size. This review is longer than all the bios save perhaps Goethe, who gets a page and a half biography.
I'm not competent enough in German to test the "literal English translations" that oppose the German verse, but I have my doubts.
Even as a source anthology this book has faults. First and most glaringly, there are 34 poets covered in this 169 page anthology. That means, at maximum, the authors could give each poet five pages. Since each poets poems are given in both German and English that means that each poet usually gets a half page biography and one poem. Heine and Goethe get three poems a few others get two. I don't know how they expect us to understand anything about the poet based on one poem. Another problem is the failure of the authors to cite sources. I was impressed when they included a poem by Nietzsche, and I wanted to check that poem out in the context of his work, but alas Mathieu and Stern don't tell us where they pulled the work. Is it in the "Gay Science"? Maybe "Will to Power" or "Dionysius Dithyrambs"? Who knows!? The mystery is half the fun, I suppose.
Overall, this book has the feeling of an appetizer that's supposed to come before a larger and more through "introduction to German poetry": it's enough to get one interested, but you're still hungry.
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