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Concrete and Culture: A Material History, by Adrian Forty
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Despite its ancient Roman origins, concrete is considered the ultimate modern material, used everywhere in construction today: the equivalent of three tonnes of concrete per person on the planet is produced each year. Used in our pavements, roads, tunnels and walls, concrete surrounds us wherever we go and polarizes opinion, provoking intense loathing in some and fervent passion in others.
Concrete and Culture breaks new ground by charting concrete’s effects on culture since its reinvention in the modern period, examining the ways it has changed our understanding of nature, of time and of materiality. This book discusses architects’ responses to and uses of concrete while also taking into account the role it has played in politics, literature, cinema and labour-relations, as well as in present day arguments about sustainability.
Crucial to the construction of some of the world’s most avant-garde buildings but also blamed for making all places look alike, concrete continues to be as controversial as ever. In this book Adrian Forty takes the reader across Europe, North and South America and the Far East, reflecting on the global consequences of the material. Concrete and Culture is a uniquely innovative historical account of the part played by an often despised substance in people’s relationships to their physical surroundings.
- Sales Rank: #714094 in eBooks
- Published on: 2012-11-06
- Released on: 2012-11-06
- Format: Kindle eBook
Review
“This book fully succeeds in portraying the most emblematic material of modern culture. Concrete is seemingly condemned to transformations, easily slipping into the role of timber or stone, with no clear identity of its own. With his engaging scholarship, Adrian Forty takes us beyond the merely concrete, showing a material that does not fit into pre-cast categories, as a projection screen of Japanese, Brazilian or Swiss identities, of fears and pleasures, a source of dislike and fascination since its invention.” (Ákos Moravánszky, ETH Zurich)
“This erudite, insightful and wide-ranging study takes the field of material history in new directions. By focusing on concrete—the ubiquitous marker of modernity—we are taken through a labyrinth of intersecting cultural and political developments that range across architecture, cinema, photography, planning, and a host of other fields.” (Matthew Gandy, University College London)
“Forty offers a historical account of how concrete has played a part in humans’ relationship to their physical surroundings and the global consequences. By taking into account the role concrete has played in areas like politics, literature, cinema, and sustainability, he gives readers a new viewpoint about this material.” (Choice)
“Forty admits that he initially saw Concrete and Culture as an ‘entertainment’, an enjoyable project that allowed him to travel globally, but that he ended up grappling with a set of problems that were both intellectually difficult and full of rich cultural associations. Taking on a topic that has for the most part—until very recently—been the subject of technical literature, he again shows us a new way of looking at modernity, via one of its most characteristic material manifestations."
(Oxford Art Journal)
About the Author
Adrian Forty is professor emeritus of architectural history at the Bartlett, University College London. His books include Objects of Desire: Design and Society since 1750 and Words and Buildings: A Vocabulary of Modern Architecture.
Most helpful customer reviews
5 of 5 people found the following review helpful.
the book is very informative.
By gevork hartoonian
yes, but the binding is terrible; i just bought the book and started reading; every page comes apart as you finish reading each page!
the publisher should take their publication seriously and care about customer's money!
3 of 3 people found the following review helpful.
No Images in Kindle Version
By SPP
Please note that the Kindle version does not include images.
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