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The Gravity of Birds: A Novel, by Tracy Guzeman
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A debut novel already destined to be a book club favorite. “With its deft interweaving of psychological complexity and riveting narrative momentum, with its gorgeous prose and poetic justice, The Gravity of Birds is about sibling rivalry, tragedies, and resurrections. And it’s irresistibly exquisite” (San Francisco Chronicle).
Forty-four years after the brilliant young painter, Thomas Bayber, first meets Alice and Natalie Kessler, Bayber unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Alice, and Natalie. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting. But their task becomes more complicated when the artist requires that they first locate Alice and Natalie, who seem to have disappeared.
Told in alternating chapters that weave revelations about the sisters’ past with clues Finch and Jameson discover in the present, this story sets three characters on a collision course with their histories, showing how families tear themselves apart and then try to bind themselves together again, not always creating the same fabric. The Gravity of Birds “combines the drama of warring sisters, the mystery of a missing painting, and the sorrow of lost love into a haunting elegy that will…leave you breathless” (Tiffany Baker, author of The Little Giant of Aberdeen County).
- Sales Rank: #85945 in eBooks
- Published on: 2013-08-06
- Released on: 2013-08-06
- Format: Kindle eBook
From Booklist
Legendary artist Thomas Bayber calls reliable art historian Dennis Fincher and eccentric art authenticator Stephen Jameson to task them with an errand. Although Bayber stopped painting years ago, and his artwork has been extensively documented, he shows them a never-before-seen central panel in a triptych that depicts himself as a young man posed with two sisters, Alice and Natalie Kessler. What he wants Dennis and Stephen to find are the other two panels of the painting, which he gave to the sisters, who seem to have vanished without a trace in 1972. Their quest starts out inauspiciously, since Dennis refuses to fly, and Stephen doesn’t know how to drive, but before long, the two art aficionados become obsessed with finding the missing sisters and the missing panels even as they reveal their own grievous losses. Their narrative is interspersed with the story of the estranged Kessler sisters and their separate relationships with the brilliant if self-absorbed Bayber. The talented Guzeman, incredibly assured in her first novel, slightly overshoots with her busy plot, but her cast of endearing eccentrics and her stellar prose will win her a loyal audience. --Joanne Wilkinson
Review
"If literary fiction is on the verge of extinction . . . Tracy Guzeman's The Gravity of Birds ought to inspire new hope for an endangered species. With its deft interweaving of psychological complexity and riveting narrative momentum, with its gorgeous prose and poetic justice, Guzeman's book is about sibling rivalry, tragedies, and resurrections. And it's irresistibly exquisite." (San Francisco Chronicle)
"The captivating prose of Tracy Guzeman’s first novel instantly pulls you into the lives of the Kessler sisters, Alice and Natalie, and their intertwined love story with Thomas Bayber, an attractive young artist. Forty years later, as Bayber lies dying, he sends two trusted, but disparate, colleagues to find a missing painting that the Kessler sisters possess. Clandestine love affairs, painterly clues and a world of untruths come seamlessly together in this exceptional debut." (Minneapolis Star Tribune)
"In this richly textured novel, two young sisters encounter art and their sensuality under the watchful gaze of a seductive painter. Forty-four years later, when a never-before-seen portrait of them is unveiled, a complex web of jealousy and heartache is exposed." (O, The Oprah Magazine)
"In this riveting debut novel, a famous artist-recluse unveils a 40-year-old painting never shown before, then sends collectors on a scavenger hunt to locate two teenage girls who posed for him, but disappeared decades ago." (Good Housekeeping)
“A compelling debut . . . This book is about details and secrets—and possessing the perceptiveness to notice how details can reveal secrets. . . . Guzeman creates flesh-and-blood characters that readers come to care about.” (Cleveland Plain Dealer)
"The deep waters of family secrets contribute to the atmosphere of intrigue." (San Jose Mercury News)
"Talented . . . incredibly assured . . . her cast of endearing eccentrics and her stellar prose will win a loyal audience." (Booklist)
“[The Gravity of Birds] exhibits, particularly in characterization and dialogue, glimmers of genius.” (Kirkus Reviews)
“A lovely, mesmerizing novel. The Gravity of Birds combines the drama of warring sisters, the mystery of a missing painting, and the sorrow of lost love into a haunting elegy that will, like the artwork it describes, leave you breathless. The paintings and characters that Tracy Guzeman creates will seep into your imagination and take up permanent residence, changing the way you think about art.” (Tiffany Baker, author of The Little Giant of Aberdeen County and The Gilly Salt Sisters )
“Lovely! The Gravity of Birds is a warm-hearted, assured, and haunting debut. In prose that is always graceful and often breathtaking, Tracy Guzeman delivers a compelling story of the love of art, and the art of love.” (Meg Waite Clayton, author of the national bestseller The Wednesday Sisters )
"The Gravity of Birds is one of those rare, exquisitely written novels that haunt you long after you've finished the last page. Guzeman writes of both the fragility of the human spirit and its inner strength. The book unfurls like a hidden canvas, soaked with color, emotional longing, and a desire to make sense of what is often too painful to be said without the assistance of art. It is a novel not to be missed." (Alyson Richman, best-selling author of The Lost Wife )
“Tracy Guzeman’s The Gravity of Birds is part mystery, part psychological drama and intriguing love story. This is a stunning debut. It’s a brilliant tale, written in evocative language, and every page is pure seduction. I want to scream from the rooftops: read this book!” (Ellen Sussman author of the New York Times bestseller French Lessons)
About the Author
Tracy Guzeman lives in the San Francisco Bay Area. Her work has appeared in Gulf Coast, Vestal Review, and Glimmer Train Stories. The Gravity of Birds is her first novel.
Most helpful customer reviews
82 of 86 people found the following review helpful.
Read slowly and savor!
By Experienced Editor
It took me a long time to read this book. Even though I was eager to see what would happen next, I found myself lingering over the language, the images, the sudden shifts and surprises. The story involves multiple main characters, each one well developed with his or her own voice and personality. These are not figures who can be labeled as "good guys" and "bad guys." Each one is a combination of good and bad traits, which makes them human, and each one is important to the plot -- although that is not evident at first.
The plot itself is multilayered, with the elements woven into a complex pattern. In a nutshell: in 1963, two teenage sisters are smitten by the same man, a talented artist who is nearly 30. He lives near their summer vacation home and they see him every year until 1971, then lose touch. Decades later, in 2007, the artist -- who is now a famous recluse -- shows a hitherto unknown painting to an art professor and an art appraiser. It's a portrait of himself with the two sisters, allegedly the center panel of a triptych. The artist asks the two men to handle the sale of this painting (which will make them both famous for "finding" it) on condition that they locate the two missing panels. It doesn't take much brainpower to figure out that he doesn't want the paintings ... he wants to find the sisters.
As the professor and the appraiser follow clues across the country (and well-placed flashbacks show us earlier events) we unravel not just the physical mystery of the paintings but the psychological depths of the various characters and the way they affect each other. Several times I thought I'd figured out how the story would end, and each time some new twist gave me more to consider. The conclusion resolves some issues but leaves others open-ended. I'd love to know more about what happened to characters I'd come to care about, but the ending offered possibilities that let me enjoy thinking about the story after I'd finished reading.
45 of 48 people found the following review helpful.
Birds and bird cages and gravity, oh my!
By Kindle Customer
Lately I have this strange fixation with birds and bird cages. And they seem to be popular now for knickknacks and jewelry. So, when I saw the cover and title of this book in a weekly email about literary novels from amazon.com I was intrigued. When I read the synopsis for this novel, I wasn't so sure it would be my cup of tea. I'm just not drawn to novels about the intertwined lives of it's characters whose stories are played out in the novel over scores of years. I just don't care about those things anymore. I'm too old and I feel I've figured out, in a general sense, what motivates people. However, I downloaded a sample of the book to my kindle to at least give it a try because I liked the cover and the title. Silly reasons perhaps, I'll admit, but my intuition on picking a book by it's cover art usually serves me well.
I won't give you a synopsis of the book because the one given by the publisher is more than adequate. What I would like to tell you, though, is Tracy is a wonderful writer. There is a sense that she uses her words sparingly while not stinting on an almost lyrical way of writing. Her observations concerning the motivations of her characters are shrewd and she delivers them with the greatest effect. I found the way she delivered her characters stories to be different than most novels I've read lately. But that is my humble opinion. You must decide that for yourself, of course. The story kept me interested from page one until the end. Never did I feel that it slowed, or dragged. And I became totally immersed in it. I found it to be interesting, complex and heartbreaking. I absolutely loved it! I hope Tracy writes again soon because I can't wait to read more of her books. She is an amazing talent. Please give this book a try. If it could interest a jaded person like me, I truly feel that you'll love it too.
12 of 12 people found the following review helpful.
A Novel for Anyone but Especially for Those Interested in Art and Artists
By Fairbanks Reader - Bonnie Brody
I really enjoyed this book and appreciated how much of it had to do with art and artists. Being married to an artist, the book really resonated with me despite the fact that my husband's personality is not at all like the protagonist's.
The central character in this book is Thomas Bayber, an artist of great renown but who has not painted anything for over twenty years. He is in his seventies and living as a recluse in a dark and dingy apartment in New York City. Supposedly, all of his paintings are accounted for and reside in the great museums with a few in the homes of some very wealthy collectors. Thomas decides to call Dennis Finch, a well-known art historian and expert on Bayber's work to his home. Finch has supported Bayber by paying his rent and his bills for years. Finch works as a writer and professor and is in mourning for the recent death of his beloved wife, Claire. Along with Dennis Finch, Bayber calls Stephen Jameson, a strange and socially awkward man who is an expert on the authentication of art. He tells them that there is a painting of his that no one has ever seen and that has been unaccounted for. Dennis can not believe it because he has catalogued all of Bayber's work. However, the painting is unveiled in Thomas's apartment and, with time, they realize that it is part of a triptych. The painting is a disturbing portrait of the Kessler family, primarily the two daughters, Natalie and Alice. Bayber gets Finch to promise to find the other two parts of the triptych and this leads to a search for the people who are painted in the portrait. Because it is a portrait primarily of Natalie and Alice, the thought is that they would have the answer as to the location of the missing two panels.
The portrait's disturbing qualities come from the way the two young girls are situated in the painting, both of them looking like they are involved in some intimate way with Thomas. Alice is about fourteen in the painting and Natalie, her older sister, is eighteen years old. Alice is an intense, intelligent and loving girl who loves ornithology and studied it in college when she was older. She knows all the birds that flock near their summer rental which is right next door to Bayber's. Natalie is cold and harsh with something like rage seething beneath the surface. Though very beautiful at first glance, she spells trouble. Shortly after they finish college, their parents die and they leave their Connecticut home immediately. By this time, Alice has come down with rheumatoid arthritis which is very debilitating and painful.
Dennis and Stephen decide that the way to find the triptych is to find Natalie and Alice. Thus begins a country-wide search. They both believe that it may not be the two panels of the painting that are most important to Thomas, but rather the finding of the Kessler sisters. What Thomas's relationship was to them is not known but it is obvious that he has very strong feelings for them. This is unusual for a man who has never had an long-term relationships with women and does not seem to care about other people.
The book is a debut novel but it is written with panache. I never for a second found anything to suggest that the author was a novice at writing. She has had short stories published but this is her first novel. It is fully realized with wonderful characterization and a fascinating plot that kept me on my toes for the whole ride. I highly recommend this novel, especially for anyone with an interest in art and artists.
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