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This unique reference classifies the clothes and accessories of the 12th through the 15th centuries along social lines. Garments of every type, from the wardrobes of peasants and nobility, appear in over 200 period illustrations and patterns. Helpful advice covers: choosing fabrics, placement of seams, draping and folding garments, more. 203 black-and-white illustrations.
- Sales Rank: #824802 in eBooks
- Published on: 2011-09-12
- Released on: 2011-09-12
- Format: Kindle eBook
Most helpful customer reviews
127 of 128 people found the following review helpful.
Use with caution!
By Jill McAlester
Dorothy Hartley's book, first published in 1931, has many good things about it, and also many not-so-good things. The book does have a wealth of black-and-white illustrations reproduced from period sources, and these are outstanding. Ms. Hartley's interpretations of medieval dress, however, are not always on the mark...page 103, for example, has a drawing of a "sleeveless coat" which is actually a mis-interpretation of a fur-trimmed sideless surcote. Also confusing is the "loose side piece" in her diagram of a hunting tunic on page 57...nothing in the period illustrations would indicate a garment cut and worn that way, and it just doesn't make sense.
So...like a lot of other costume texts published in the early 20th century, don't take everything in this book for gospel truth, and double-check the details against other sources if you're looking for true authenticity.
62 of 63 people found the following review helpful.
It's a good start to begin from, but the flaws tend to make it a bit strange.
By Rebecca Huston
For years I've had a photocopy of this book that I've lugged around, so I was very happy to find this as a reprint edition. One of the great things about this is that the author has done her research, and tends to construct the clothing from simple shapes -- namely if you can sew a straight line, or hem, you can make these costumes. The bad part is that there are some very odd items in here -- one tunic has a flap that ties in place, and the woman's gown is constructed in a very odd way -- you 'can' do it, but the seams look very out of place. Still, the price is good for a begining reinactor, and will instill confidence to go on and make more complicated items.
34 of 36 people found the following review helpful.
Potentially useful, if you're careful how you use it
By Catherine Raymond
As other reviewers have said, Hartley's book is aimed at theatrical costumers, not reenactors. Because of that fact and because it was written long before archaeological research began to correct long-held misapprehensions about medieval costume, its advice about how a particular costume was made is often quite wrong. But Hartley's book does something I've never seen before in any book on medieval costume--it urges the reader to look at period artwork and think about what the person wearing such a costume in the artwork would have been doing and what tools he or she would have been using while doing it. This insight is, in my opinion, worth the meagre price of the book.
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