Kamis, 05 Februari 2015

## Free Ebook Roughing It (Dover Books on Literature & Drama), by Mark Twain

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Roughing It (Dover Books on Literature & Drama), by Mark Twain

These memoirs recount the writer and humorist's scuffling years, during which he beat a path across the American West and all the way to Hawaii. His spirited narrative relates a series of triumphs and misadventures and profiles a many-faceted succession of personalities and locales: the stage drivers and desperadoes of the Great Plains; Mormon society; the mines and miners of Nevada; the climate and characteristics of San Francisco; and the amusing and unexpected traits of Sandwich Island civilization. Twain finds drollery in every corner of his travels, but the sincerity and humanity of his reminiscences provide a realistic vision of now-vanished worlds.

  • Sales Rank: #1181800 in eBooks
  • Published on: 2012-03-07
  • Released on: 2012-03-07
  • Format: Kindle eBook

Amazon.com Review
There is no nicer surprise for a reader than to discover that an acknowledged classic really does deliver the goods. Mark Twain's Roughing It is just such a book. The adventure tale is a delight from start to finish and is just as engrossing today as it was 125 years ago when it first appeared.

Roughing It tells the true-ish escapades of Twain in the American West. Although he clearly "speaks with forked tongue," Roughing It is informative as well as humorous. From stagecoach travel to the etiquette of prospecting, the modern reader gains considerable insight into that much-fictionalized time and place. Do you know about sagebrush, for example? Sage-brush is very fair fuel, but as a vegetable it is a distinguished failure. Nothing can abide the taste of it but the jackass and his illegitimate child, the mule. But their testimony to its nutritiousness is worth nothing, for they will eat pine knots, or anthracite coal, or brass filings, or lead pipe, or old bottles, or anything that comes handy, and then go off looking as grateful as if they had had oysters for dinner. Roughing It is informally structured around the narrator's attempts to strike it rich. He meets a motley, colorful crew in the process; many mishaps occur, and it shouldn't surprise you that Twain does not emerge a man of means. But he withstands it all in such a relentless good humor that his misfortune inspires laughter. Roughing It is wonderful entertainment and reminds you how funny the world can be--even its grimmer districts--when you're traveling with the right writer.

From Library Journal
In this 1872, Twain reminisces about his five years of roaming around the country from 1861 to 1866. This edition contains the complete original text plus the original illustrations. Though pricey, this volume should be considered for collections specializing in Twain.
Copyright 1994 Reed Business Information, Inc.

Review
''Describes, in dramatic incidents, the people he met, from desperadoes to Brigham Young.'' --The Reader's Encyclopedia

''A vigorous, many-sided portrait of the Western frontier.'' --The Concise Oxford Companion to American Literature

''This humorous travel book . . . is full of colorful caricatures of outlandish locals and detailed sketches of frontier life.'' --Merriam-Webster's Encyclopedia of Literature

''There is no nicer surprise for a reader than to discover that an acknowledged classic really does deliver the goods. Mark Twain's Roughing It is just such a book. The adventure tale is a delight from start to finish and is just as engrossing today as it was 125 years ago when it first appeared.'' --Amazon.com, editorial review

Most helpful customer reviews

60 of 62 people found the following review helpful.
A fun read, and some history too
By Matthew Taylor
The genius of Mark Twain is that his work is still enjoyable, and funny, to this day. This book, originally published in 1871, is Twain's account of his journey from Missouri to Hawaii (called the Sandwich Islands in his day). He tells story after story of his adventures along the way, starting with the stagecoach ride on the Overland Stage Line to Carson City, Nevada, around 1861, and then telling of his stay in Nevada, then California, then his visit to Hawaii. The stories are informative, humorous, and all-around entertaining. He lampoons everybody he can--nobody is safe--including miners, pioneers (emigrants), politicians, Mormons, Blacks, American Indians, Chinese, newspaper reporters, "desperados", even himself on more than one occasion. Sometimes his stories are so outrageous that you wonder how much is true and how much is embellishment, or just outright fiction. Even he understands this by telling the reader on occasion that he has not made up a particular story, to demonstrate that truth is often stranger than fiction, but also to imply that he has taken liberties in other places in the book. (I wonder if the Mormon Church has ever banned this book for the things he says about them.) Even while he is being irreverent, however, he often demonstrates a sensitivity toward people, with an awareness of the situation of others that seems to me to be ahead of his time. For example, he has a chapter on the immigrant Chinese population in the West, and while he pokes fun at them in some respects, he spends the time detailing their lives and culture, as much as he could understand it, with a respect that was uncommon in his day.
I bought a copy of this book years ago because I am a native Californian, and knew that there was some material in here about California in the early days (my copy is an old hardcover published by Grosset and Dunlap). As Twain states in his Prefatory: "...There is quite a good deal of information in this book. I regret this very much, but really it could not be helped." I enjoyed reading about the "old West" from an eye-witness, although most of it deals with Nevada, not California. While some of it sounded familiar, like something from any Western-genre movie, other things were like nothing I had ever heard of before, describing the "Wild West" from an original point of view. In that respect, this book is a great resource.
This book falls short of five stars due to some minor flaws. He often digresses with text that is not only marginal to the point, but not even written by him, reprinting someone else's text. I skipped over some of that. He would also spend pages detailing coversations between other people that he could not have possibly remembered verbatim. While I understand that it was a common writing style of his day, it sounds like bad jounalism today. Those complaints aside, this is some great writing by Twain and some valuable American history.

39 of 41 people found the following review helpful.
ROUGHING IT
By G L Nelson
This "Mark Twain Project" paperback edition of ROUGHING IT is by far the best version for most readers. It is an excellent value. The 200 pages of "Explanatory Notes" at the end, add greatly to the modern reader's understanding of the 1860's "Wild West". The Early Western Mining Frontier comes vividly and colorfully to life, thanks to the Explanatory Notes' full illumination of the fascinating, often hilarious, eyewitness account of young Sam Clemens.

The 21st century reader now sees the momentous impact of Samuel Colt's "Navy Revolver" on frontier society, fully comprehends a "Stamp Mill's" importance to the silver mines of the Comstock Lode, and is in complete agreement about the "thoroughbrace's" necessity to the Overland Stage traveler's comfort! This edition also contains all 304 first edition illustrations, another great aid allowing the modern reader to take a virtual walk into a vanished time.

In the "Foreword" to this edition, Editor Harriet Elinor Smith notes, " The vernacular style of ROUGHING IT often seems surprisingly fresh to modern readers.....". I'm betting that many readers, younger ones especially, may approach this book with dread, only to become immersed in the rollicking adventure, and reach the end of ROUGHING IT with regret. The readers who return for a second, third or more reading, will discover many levels of depth to ROUGHING IT that will continue to entertain and educate reading after reading, year after year.

From the "Foreword" to this edition, Editor Smith also observes, "Although readers have long been entertained by ROUGHING IT, it has gradually become part of all serious study of American culture. Students of history have come to rely on it for accurate information about the period, and it has played a major role in shaping the myth of the "Wild West".......No examination of American popular culture would be complete without Mark Twain's imaginative reminiscence of what it was like to be "on the ground in person"".

So, if you are tired of all this bickering between the North and South, and feel it may be healthier to get away from the tensions, I hear tell there's a great silver strike in a new territory called "Nevada", near a place called "Virginia City". It's July 1861 and there is an Overland Stage westbound, St Joseph, Missouri to Carson City, Nevada Territory.

Buckle on your Navy Colt and climb aboard!

31 of 32 people found the following review helpful.
Thank Goodness!
By Eric Wilson
Twain is a storyteller in the old-fashioned sense of the word. He spins his tales, weaves his lies, and draws us in with the skill of a magician. Dividing fact from fiction is not always easy in a work such as this. "Roughing It" has moments of obvious hyperbole, grounded by stories of true difficulty. Yet throughout, Twain finds a way to make us smile, even laugh out loud. We are amused by the eccentric characters and turns of events which he describe, and find that we are not so far different as we might like to think.
The story follows Twain's journey as he travels west by stagecoach, train, wagon, horse, and ship. He meets surly frontiersmen, murderers, thieves, fortune-hunters, and men of ill-repute. Even here, he finds the good beneath the dirt. I especially enjoyed his anecdote of Scotty Briggs, a man trying to hire a minister to attend over his friend's funeral. Hilarious stuff! And so true to human nature.
Throughout his account, Twain makes a habit of degrading his own work ethic, nudging us in the ribs as he highlights his aversion to labor. With this in mind, the title seems to be a tongue-in-cheek affair. In fact, I found his accounts much less rustic and more modern than expected. Sure, we can travel across the U.S. quicker these days, but the politics and economics of Twain's age parallel our own. Will we never learn? Isn't this the point of history, to avoid repeating our errors?
Although criticized in his day for using coarse language and a working-class, Twain held to his guns and gave us some magnificent humor with which to swallow his pointed barbs. He was a master satirist, and even in a travelogue such as this, his views shine through. And thank goodness! A century and a half later, I'm thankful for his insights.

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Rabu, 04 Februari 2015

>> Download Authentic Color Schemes for Victorian Houses: Comstock's Modern House Painting, 1883 (Dover Architecture), by E. K. Rossiter, F. A. Wright

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Authentic Color Schemes for Victorian Houses: Comstock's Modern House Painting, 1883 (Dover Architecture), by E. K. Rossiter, F. A. Wright



Authentic Color Schemes for Victorian Houses: Comstock's Modern House Painting, 1883 (Dover Architecture), by E. K. Rossiter, F. A. Wright

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Authentic Color Schemes for Victorian Houses: Comstock's Modern House Painting, 1883 (Dover Architecture), by E. K. Rossiter, F. A. Wright

When the authors, a pair of respected architects, first published this beautiful book in the late Victorian era, they meant it as a wakeup call to the forward-looking homeowners of the time — inviting them to eschew "the old puritanical hatred of color, which found its natural outcome in white houses with green blinds" and join in the revolutionary trend toward "advanced notions, in which the more positive colors find a chance of expression." The book helped homeowners to attain this goal through its presentation of full-color illustrations of attractive, up-to-date color schemes for houses, with special attention given to the refined lines of Queen Anne-style homes.
The heart of the book is the section of 20 exquisite color plates — each reproducing a flawlessly executed architectural drawing that shows the color possibilities for a specific house, and each accompanied by an extensive written description of the colors to be used for exterior walls and trim. An informative introductory section gives a clear explanation of how to mix primary and secondary colors to achieve such popular, mellow tones of the period as olive, russet, citrine, buff, plum, and sage. This authentic source of inspiration and suggestions will be prized by restorationists, architects, home-builders, and lovers of Victoriana.

  • Sales Rank: #1179101 in eBooks
  • Published on: 2012-07-19
  • Released on: 2012-07-19
  • Format: Kindle eBook

Most helpful customer reviews

13 of 15 people found the following review helpful.
How to mix colors
By Tiina from Ohio
To quote the book, "Those of our readers who expect to find lists comprising all the various scales of color, giving definite information as to what particular color should be used to harmonize with this or that shade, and telling just what combinations are allowable, and just what are to be condemned, will, therefore, be disappointed." This book covers how to prime wood and mix colors (reddish brown color is achieved by mixing Indian red and burnt umber) and does give specific color schemes. This is a reprint from 1883, and the authors mentioned that the printer could not replicate most of the color schemes they envisioned (maybe I need to get watercolor paint and mix the suggested colors to see what they intended). We are building a Victorian home, and I was looking for ideas of what worked well in the past, but the rust red, dark mustard yellow, greens and browns they showed did not inspire me as I had hoped. It does have helpful information about color selection, but it is fairly generic in nature. Most of the plates are house exteriors, but there are a few interior plates as well.

12 of 14 people found the following review helpful.
Simpla & Basic
By Hmack1
Good for someone with a need for very basic color scheme for historic homes. No imagination needed. Colors are boring by our modern day standards, but give the old world look desired in the older victorian neighborhoods that despise the brighter californian look.

4 of 4 people found the following review helpful.
Limited color schemes
By A. Prester
I was looking for color palettes for Victorian houses. This was VERY limited to only a few house elevations and SLIGHT variations on the color schemes. I haven't read through the text but for what I was looking for, it wasn't worth it.

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^^ Free Ebook The Crowd: A Study of the Popular Mind, by Gustave Le Bon

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The Crowd: A Study of the Popular Mind, by Gustave Le Bon

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The Crowd: A Study of the Popular Mind, by Gustave Le Bon

One of the most influential works of social psychology in history, The Crowd was highly instrumental in creating this field of study by analyzing, in detail, mass behavior. The book had a profound impact not only on Freud but also on such twentieth-century masters of crowd control as Hitler and Mussolini — both of whom may have used its observations as a guide to stirring up popular passions. In the author's words, "The masses have never thirsted after the truth. Whoever can supply them with illusions is easily their master; whoever attempts to destroy their illusions is always their victim."
Although the volume focuses on crowd psychology, it is also brilliantly instructive on the effects of the generally accepted beliefs of a nation's citizenry on the processes of history. Among the topics covered here are general characteristics and mental unity of the crowd; the crowd's sentiments and morality; its ideas, reasoning power, and imagination; opinions and beliefs of crowds and the means used by leaders to persuade; classification of crowds, including criminal and electrical assemblages, as well as the functioning of criminal juries and parliamentary assemblies.
A must-read volume for students of history, sociology, law, and psychology, The Crowd will also be invaluable to politicians, statesmen, investors, and marketing managers. "Any study of crowd behavior, popular psychology, fascism, etc. would do well to begin with Le Bon's work." — Anson Rabinbach, Professor of History, Princeton University.

  • Sales Rank: #973388 in eBooks
  • Published on: 2012-03-15
  • Released on: 2012-03-15
  • Format: Kindle eBook

Review
"Insightful for its apprehension of the primitive nature of crowds..."

Language Notes
Text: English, French (translation)

About the Author
Gustave LeBon (1841-1931) was a French physician who wrote widely on scientific subjects, including anatomy and physiology, anthropology, and history. Many of his writings focused in particular on national traits, crowd behavior, and racial superiority. His numerous books include The Civilization of Arabs, The Psychology of Peoples, and The Crowd.

Most helpful customer reviews

174 of 183 people found the following review helpful.
Why I Avoid Large Groups of People.
By zonaras
_The Crowd: A Study of the Popular Mind_ by French social theorist Gustave LeBon is a short treatise on the principles of large gatherings of people. As the disclaimer on the title page notes, the ideas in LeBon's book were popular at the time of the late 19th century but are no longer in vogue today. The reasons for this are obvious, as LeBon unpretentiously puts to fault all the rhetoric about "democracy," "equality," "fraternity," and "equality" as being mere catchphrases that self-serving demagouges use to control the spirit of the masses. He cites the French Revoloution and the demands of Socialism and Communism during his time. LeBon outlines the way crowds tend to think (in vivid images illogically connected), how they reason (they don't for all practical purposes), how they express exaggerated emotion, how they are very quick to take action without coherent thought and of the general extreme-conservativism and intolerance of crowds. The individual who becomes part of a crowd tends to loose himself, and feels invincible as he is aware of the similarity of mind and purpose of all those surrounding him. LeBon notes how individuals become unthinking entities of the Herd, and can be unconsciously made to do acts, which can either be of great criminality or heroism. The reasoning of the solitary individual is superior to that of a crowd which has no individuality. All are "equal" in a crowd where, for instance, a mathemetician is caught up in the same spirit as a laborer and class and intelligece differences fall to the lowest common denominator. One advangage of crowds is that they can express the spirit of a class, caste, or race of a people better than the individual can, and that crowds are capable of great deeds such as victory in a war or the spread of a religion that would be beyond simply one person's effort. The back title of _The Crowd_ mentions that Hitler, Mussolini in addition to Freud were familiar with LeBon's work, and it is readily apparent that their followers acted very similar to the behavior that LeBon describes. The basic point of _The Crowd_ is this: For Bettor or Worse, Never Underestimate the Power of Stupid People in Large Groups.

95 of 106 people found the following review helpful.
9/11 and 'The Crowd'
By Stan
I think the reviewer Derek Pillion summed up this book rather well. But I want to relate something that came into my mind after reading the following passage from chapter III:
"A hundred petty crimes or petty accidents will not strike the imagination of crowds in the least, whereas a single great crime or a single great accident will profoundly impress them, even though the results be infinitely less disastrous than those of the hundred small accidents put together.
The epidemic of influenza, which caused the death but a few years ago of five thousand persons in Paris alone, made very little impression on the popular imagination. The reason was that this veritable hecatomb was not embodied in any visible image, but was only learnt from statistical information furnished weekly.
An accident which should have caused the death of only five hundred instead of five thousand persons, but on the same day and in public, as the outcome of an accident appealing stronly to the eye, by the fall for instance of the Eiffel Tower [sic], would have produced, on the contrary, an immense impression on the imagination of the crowd.
... To know the art of impressing the imagination of crowds is to know at the same time the art of governing them."
What came into my mind after reading that passage? Airplanes and collapsing towers. This book is a must read for any thinking person.

0 of 0 people found the following review helpful.
Great observation of human behavior in crowds. MUST READ!
By Jim Reinhart
Governing politically or managerially of a crowd is best done by the art of illusion and managed perception. I have not read a book so painfully good at identifying the collective stupidity of the crowd. The ideals we individually hold dear can be silenced. Ideas of truth can be manufactured. This is a great book on the manipulation of crowds to believe and do what is against their interests.

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Senin, 02 Februari 2015

# Get Free Ebook Memoirs of an Arabian Princess from Zanzibar, by Emily Ruete

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Memoirs of an Arabian Princess from Zanzibar, by Emily Ruete

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Memoirs of an Arabian Princess from Zanzibar, by Emily Ruete

Return to an era when Zanzibar was ruled by sultans, and enter a vanished world of harems, slave trading, and court intrigues. In this insider's story, a sultan's daughter who fled her gilded cage offers a compelling look at nineteenth-century Arabic and African royal life. After years of exile in Europe, the former princess wrote this fascinating memoir as a legacy for her children and a warm reminiscence of her island home.
Born Salamah bint Said, Princess of Zanzibar, in 1844, author Emily Ruete grew up in a harem with scores of siblings. The royal family maintained its fabulous wealth and luxury with a robust traffic in ivory, spices, and human bondage. Ruete ventures beyond the palace, into the city and plantations where European traders, missionaries, and colonists exercised a growing influence. After her dramatic elopement with a German trader, Ruete attained the perspective to form a comparison of the lives of women in Muslim society with those of their European contemporaries. Originally published in 1886, this remarkable autobiography will captivate readers interested in Zanzibar and Eastern Africa as well as students of Arabic, Islam, and women's studies.

  • Sales Rank: #709353 in eBooks
  • Published on: 2012-03-06
  • Released on: 2012-03-06
  • Format: Kindle eBook

From Publishers Weekly
Ruete could be the subject of a thrilling romance. As Romero ( Life Histories of African Women ) explains, she was born in 1840 as Salme, princess of Oman and Zanzibar, and grew up privy to the machinations of her father's harem and of her scores of siblings. Following her father the sultan's death in 1856, Salme participated in one brother's unsuccessful coup to wrest the throne from another. Despite strictures confining Islamic women, she trysted with a German who is thought to have impregnated her, fled to Germany where she converted to Christianity, changed her name, married her lover, bore three children and was soon widowed. Ruete relates few of these escapades; instead she provides a disingenuous account of harmonious life at the palace. Despite the profusion of concubines, Ruete claims that Arabs predominantly practice monogamy; her father is a beneficent king--although Romero states that he attained power by murdering a cousin. The disparity between introduction and text, the latter translated from the German, generates a peculiarly successful tension, enhanced by carefully recorded details of court life. Illustrations not seen by PW .
Copyright 1989 Reed Business Information, Inc.

Review
"an intriguing account of court life in an outpost of the Islamic empire in Africa." -- Journal of World History

Language Notes
Text: English (translation)
Original Language: German

Most helpful customer reviews

27 of 28 people found the following review helpful.
Description of Life in Zanzibar in 1800's
By Ein Kunde
"Memoirs of an Arabian Princess from Zanzibar" by Emily Ruete (born Sayyida, Princess of Zanzibar) is a unique book, the only autobiography by a Zanzibari princess of the 19th century.
The author was born in Zanzibar in the mid-1800's. Long ruled by Omani Arabs, Zanzibar had achieved hegemony on the coast of Eastern Africa and had grown rich on the harvest of slaves and ivory from the continent and spices (especially cloves) from Zanzibar island itself. They had spread their influence and Swahili language as far west as Kisangani on the Congo river (the setting for V.S. Naipaul's "A Bend in the River"). Times were changing: European traders and missionaries were the harbingers of colonization for the continent, protectorate status for Zanzibar, and the crusade against the Eastern slave trade.
Sayyida eloped with a German and had to leave Zanzibar. She moved to Germany where she was eventually widowed and alone (her Islamic family in Zanzibar rejected her for marrying a European Christian.) She wrote this book for her children, to provide them a record of her history. In it she describes life in the Zanzibar royal palace and plantations: traditions, customs, palace intrigues and overthrows, the harem, slaves, festivals, manners, the status of women, and so forth. She compares her life in Europe to her life in Zanzibar. This book should be of value to anyone interested in Zanzibar or Eastern Africa, or Arab, Islamic, or Women's studies.
Please see my other reviews of books about Africa.

17 of 18 people found the following review helpful.
A wonderful book
By Al-Azri
This book is written by Emily Ruete (formerly, Syiida Salma) who was the daughter of the most influential rulers of Oman and Zanzibar of all times. It was originally written in German and then translated into English and Arabic.

This book is excellent for the kind of readers who are fascinated by history and, Arab and Islam culture. Although the title suggests the author's autobiography, the book goes further to give a clear image on the political aspects and social life of the island of Zanzibar.

I am glad that she had some financial hardships that forced her to write such a book to sell it. It has delivered so much information about Zanzibar that we wouldn't know.

13 of 13 people found the following review helpful.
Fascinating
By Amazon Customer
This book contains the memoirs of Emily (Sayyida) Ruete, a Nineteenth Century Arabian princess. It is a fascinating tale of childhood and living conditions within the harem in Nineteenth Century Zanzibar. The book is unique in that Sayyida was one of the very few princesses who learned to write, hence other princesses were not able to record their experiences. It is refreshing to read an insider's report of harem life rather than the strange misinterpretations of short-term foreign visitors. The book also contains firsthand accounts of political intrigue, which will be of interest to students of Zanzibari or Omani history.

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^^ PDF Ebook The Sense of Beauty, by George Santayana

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The Sense of Beauty, by George Santayana

It is remarkably appropriate that this work on aesthetics should have been written by George Santayana, who is probably the most brilliant philosophic writer and the philosopher with the strongest sense of beauty since Plato. It is not a dry metaphysical treatise, as works on aesthetics so often are, but is itself a fascinating document: as much a revelation of the beauty of language as of the concept of beauty.
This unabridged reproduction of the 1896 edition of lectures delivered at Harvard College is a study of "why, when, and how beauty appears, what conditions an object must fulfill to be beautiful, what elements of our nature make us sensible of beauty, and what the relation is between the constitution of the object and the excitement of our susceptibility."
Santayana first analyzes the nature of beauty, finding it irrational, "pleasure regarded as the quality of a thing." He then proceeds to the materials of beauty, showing what all human functions can contribute: love, social instincts, senses, etc. Beauty of form is then analyzed, and finally the author discusses the expression of beauty. Literature, religion, values, evil, wit, humor, and the possibility of finite perfection are all examined. Presentation throughout the work is concrete and easy to follow, with examples drawn from art, history, anthropology, psychology, and similar areas.

  • Sales Rank: #950872 in eBooks
  • Published on: 2012-08-31
  • Released on: 2012-08-31
  • Format: Kindle eBook

From the Back Cover
Published in 1896, The Sense Of Beauty secured Santayana's reputation as a philosopher. Based on a well-known course on the theory and history of aesthetics that Santayana gave at Harvard College from 1892 to 1895, the book represented a major turning point in aesthetic theory. It outsold all of his books until the publication of his one novel, The Last Puritan, and even today it is one of the most widely read volumes in all of Santayana's vast philosophical work.

About the Author

George Santayana (1863-1952) was a professor of philosophy at Harvard University. Expressing a theme that remained a lifelong characteristic, he explains why he gave up “academic lumber” and went into retirement. The pursuit of pure philosophy became his revolt against intellectual dissolution and anarchy. His writings were substantial, including a five-volume work, The Life of Reason, and a four-volume work,Realms of Being.



John McCormick (1918-2010) taught American Studies at the Free University, Berlin, and later went on to become distinguished professor of comparative literature at Rutgers University. He is the author of numerous works, including Bullfighting, American and European Literary Imagination, Catastrophe and Imagination, and Fiction as Knowledge.

Most helpful customer reviews

31 of 32 people found the following review helpful.
Excellent
By Dr. Lee D. Carlson
The philosophy of Santayana is remembered mostly by his theory of aesthetics, which is discussed in detail in this book. His aesthetic theory is basically subjective, or "psychological", and if viewed from a contemporary standpoint, somewhat at odds with current developments in neuroscience, but closer than most schools of Western philosophy. All philosophical theories of aesthetics are interesting to investigate from the standpoint of comparing them to what is said about the human aesthetic faculty in modern research in neuroscience.
As in ethics, Santayana approaches aesthetics in three different ways, namely as the exercise of the aesthetic faculty, the history of art, and the psychological. The first two do not concern the author in the book, his attention devoted entirely to the third. His intention is to remove himself from the influence of the poets and of Plato, and find the out how ideals are formed in the mind, how objects may be compared with them, what properties are shared in beautiful things, and the process by which humans become sensitive to beauty and in turn value it. He is after a definition of beauty that explains its origin in human experience, and one that explains the human capacity to be sensible of beauty and the relation between a beautiful object and its ability to excite the human senses.
The author takes a different definition of aesthetics, being one that he calls "critical" or "appreciative perception", and which results from combining a notion of criticism with that of the notion of aesthetics as a theory of perception. Santayana wanted to develop a theory of aesthetics that relies on perceptions as a judgmental, critical notion. Perceptions that are not appreciations are thus to be excluded. An aesthetic theory then deals with the "perception of values".
The author's view of religion is well-known, and his atheism rare for his time. The religious imagination he says, has resulted in creations that rival those of the poets and novelists, so much so, he says, that humans believe the content of these creations to have objective reality. The ideas of these divinities are further enhanced by the realization of their natural power, with the belief in the reality of an ideal personality bringing about its further idealization, eventually spanning many human generations. History and tradition are cast by the imagination of these deities, in which peity resides and is nourished. The author of course does not excuse the God of Christianity from this, but he acknowledges the possibility that the human conceptions of Christ and Mary may in fact have real counterparts (the evidence of this not to be explored in this work).
The author states that unless human nature undergoes radical change, the main intellectual and aesthetic value of ideas will come from the creative acts of imagination. If human perceptions are not connected with human pleasures, there would be no need to look at things, no interest in them at all, and no importance would be imputed to them. It is indeed amazing how many ideas, thought to be rational, logical, or abstract, actually fit in with the author's aesthetic worldview. Concepts and results in science and mathematics in particular, after their discovery, are sometimes thought of as having their origin in logic and reason. But it was the keen human imagination that brought them about: a grand interplay of intuition and playfullness. Ugly ideas are not permissible: only the most beautiful survive...and oddly, and most interestingly, it is these that usually seem to work the best, and transcend the context in which they were discovered.

1 of 1 people found the following review helpful.
THE POPULAR WRITER/PHILOSOPHER LOOKS AT ART, DRAMA, AND BEAUTY
By Steven H Propp
Jorge Agustín Nicolás Ruiz de Santayana y Borrás (but known as “George Santayana”; 1863–1952), was a philosopher, essayist, poet, and novelist. His most famous books are The Life of Reason---which includes Reason in Society, Reason in Religion, Reason in Art, Reason in Science, etc.

He wrote in the Preface to this 1896 book, “This little book contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1982 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity rather than novelty, and if any subject, as for instance the excellence of tragedy, is presented in a new light, the change consists only in the stricter application to a complex subject of the principles acknowledged to obtain in our simpler judgments. My effort throughout has been to recall those fundamental aesthetic feelings the orderly expression of which yields sanity of judgment and distinction of taste.”

He suggests, “There is no explanation, for instance, in calling beauty an adumbration of divine attributes. Such a relation, if it were actual, would not help us at all to understand why the symbols of divinity pleased. But in certain moments of contemplation, when much emotional experience lies behind us, and we have reached very general ideas both of nature and of life, our delight in any particular object may consist in nothing but the thought that this object is a manifestation of universal principles… this expressiveness of the sky is due to certain qualities of the sensation, which bind it to all things happy and pure, and, in a mind in which the essence of purity and happiness is embodied in an idea of God, bind it also to that idea. So it may happen that the most arbitrary and unreal theories, which must be rejected as general explanations of aesthetic life, may be reinstated as particular moments of it.” (Pg. 7)

He acknowledges, ”To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be.” (Pg. 8-9)

He states, “By play we are designating, no longer what is done fruitlessly, but whatever is done spontaneously and for its own sake, whether it have or not an ulterior utility. Play, in this sense, may be our most useful occupation.” (Pg. 19)

He argues, “It is unmeaning to say that what is beautiful to one man OUGHT to be beautiful to another. If their senses are the same, their associations and dispositions similar, then the same thing will certainly be beautiful to both. If their natures are different, the form which to one will be entrancing will be to another even invisible, because his classifications and discriminations in perception will be different, and he may see a hideous detached fragment or a shapeless aggregate of things, in what to another is a perfect whole---so entirely are the unities of objects unities of function and use. It is absurd to say that what is invisible to a given being OUGHT to seem beautiful to him. Evidently this obligation of recognizing the same qualities is conditioned by the possession of the same faculties. But no two men have exactly the same faculties, nor can things have for any two exactly the same values.” (Pg. 27)

He says, “We have no reached our definition of beauty, which, in the terms of our successive analysis and narrowing of the conception, is value positive, intrinsic, and objectified. Or, in less technical language, Beauty is pleasure regarded as the quality of a thing.” (Pg. 31)

He contends, “The capacity to love gives our contemplation that glow without which it might often fail to manifest beauty; and the whole sentimental side of our aesthetic sensibility---without which it would be perceptive and mathematical rather than aesthetic---is due to our sexual organization remotely stirred. The attraction of sex could not become efficient unless the senses were first attracted. The eye must be fascinated and the ear charmed by the object which nature intends should be pursued.” (Pg. 38)

He notes, “We have, therefore, to study the various aesthetic, intellectual, and moral compensations by which the mind can be brought to contemplate with pleasure a thing which, if experienced alone, would be the cause of pain. There is, to be sure, a way of avoiding this inquiry. We might assert that since all moderate excitement is pleasant, there is nothing strange in the fact that the representation of evil should please; for the experience is evil by virtue of the pain that it gives; but it gives pain only when felt with great intensity. Observed from afar, it is a pleasing impression; it is vivid enough to interest, but not acute enough to wound. This simple explanation is possible in all those cases where aesthetic effect is gained by the inhibition of sympathy.” (Pg. 137)

He asserts, “no aesthetic value is really founded on the experience or the suggestion of evil. This conclusion will doubtless seem the more interesting if we think of its possible extension to the field of ethics and of the implied vindication of the ideals of moral perfection as something essentially definable and attainable… Expressiveness may be found in any one thing that suggests another, or draws from association with that other any of its emotional colouring. There may, therefore, of course, be an expressiveness of evil; but this expressiveness will not have any aesthetic value. The description or suggestion of suffering may have a worth as science or discipline, but can never in itself enhance any beauty.” (Pg. 158)

He concludes the book with the statement, “Beauty therefore seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Beauty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good.” (Pg. 164)

This book will be of great interest to anyone studying the philosophy of aesthetics.

1 of 1 people found the following review helpful.
THE POPULAR WRITER/PHILOSOPHER LOOKS AT ART, DRAMA, AND BEAUTY
By Steven H Propp
Jorge Agustín Nicolás Ruiz de Santayana y Borrás (but known as "George Santayana"; 1863-1952), was a philosopher, essayist, poet, and novelist. His most famous books are The Life of Reason---which includes Reason in Society, Reason in Religion, Reason in Art, Reason in Science, etc.

He wrote in the Preface to this 1896 book, "This little book contains the chief ideas gathered together for a course of lectures on the theory and history of aesthetics given at Harvard College from 1982 to 1895. The only originality I can claim is that which may result from the attempt to put together the scattered commonplaces of criticism into a system, under the inspiration of a naturalistic psychology. I have studied sincerity rather than novelty, and if any subject, as for instance the excellence of tragedy, is presented in a new light, the change consists only in the stricter application to a complex subject of the principles acknowledged to obtain in our simpler judgments. My effort throughout has been to recall those fundamental aesthetic feelings the orderly expression of which yields sanity of judgment and distinction of taste."

He suggests, "There is no explanation, for instance, in calling beauty an adumbration of divine attributes. Such a relation, if it were actual, would not help us at all to understand why the symbols of divinity pleased. But in certain moments of contemplation, when much emotional experience lies behind us, and we have reached very general ideas both of nature and of life, our delight in any particular object may consist in nothing but the thought that this object is a manifestation of universal principles... this expressiveness of the sky is due to certain qualities of the sensation, which bind it to all things happy and pure, and, in a mind in which the essence of purity and happiness is embodied in an idea of God, bind it also to that idea. So it may happen that the most arbitrary and unreal theories, which must be rejected as general explanations of aesthetic life, may be reinstated as particular moments of it." (Pg. 7)

He acknowledges, "To feel beauty is a better thing than to understand how we come to feel it. To have imagination and taste, to love the best, to be carried by the contemplation of nature to a vivid faith in the ideal, all this is more, a great deal more, than any science can hope to be." (Pg. 8-9)

He states, "By play we are designating, no longer what is done fruitlessly, but whatever is done spontaneously and for its own sake, whether it have or not an ulterior utility. Play, in this sense, may be our most useful occupation." (Pg. 19)

He argues, "It is unmeaning to say that what is beautiful to one man OUGHT to be beautiful to another. If their senses are the same, their associations and dispositions similar, then the same thing will certainly be beautiful to both. If their natures are different, the form which to one will be entrancing will be to another even invisible, because his classifications and discriminations in perception will be different, and he may see a hideous detached fragment or a shapeless aggregate of things, in what to another is a perfect whole---so entirely are the unities of objects unities of function and use. It is absurd to say that what is invisible to a given being OUGHT to seem beautiful to him. Evidently this obligation of recognizing the same qualities is conditioned by the possession of the same faculties. But no two men have exactly the same faculties, nor can things have for any two exactly the same values." (Pg. 27)

He says, "We have no reached our definition of beauty, which, in the terms of our successive analysis and narrowing of the conception, is value positive, intrinsic, and objectified. Or, in less technical language, Beauty is pleasure regarded as the quality of a thing." (Pg. 31)

He contends, "The capacity to love gives our contemplation that glow without which it might often fail to manifest beauty; and the whole sentimental side of our aesthetic sensibility---without which it would be perceptive and mathematical rather than aesthetic---is due to our sexual organization remotely stirred. The attraction of sex could not become efficient unless the senses were first attracted. The eye must be fascinated and the ear charmed by the object which nature intends should be pursued." (Pg. 38)

He notes, "We have, therefore, to study the various aesthetic, intellectual, and moral compensations by which the mind can be brought to contemplate with pleasure a thing which, if experienced alone, would be the cause of pain. There is, to be sure, a way of avoiding this inquiry. We might assert that since all moderate excitement is pleasant, there is nothing strange in the fact that the representation of evil should please; for the experience is evil by virtue of the pain that it gives; but it gives pain only when felt with great intensity. Observed from afar, it is a pleasing impression; it is vivid enough to interest, but not acute enough to wound. This simple explanation is possible in all those cases where aesthetic effect is gained by the inhibition of sympathy." (Pg. 137)

He asserts, "no aesthetic value is really founded on the experience or the suggestion of evil. This conclusion will doubtless seem the more interesting if we think of its possible extension to the field of ethics and of the implied vindication of the ideals of moral perfection as something essentially definable and attainable... Expressiveness may be found in any one thing that suggests another, or draws from association with that other any of its emotional colouring. There may, therefore, of course, be an expressiveness of evil; but this expressiveness will not have any aesthetic value. The description or suggestion of suffering may have a worth as science or discipline, but can never in itself enhance any beauty." (Pg. 158)

He concludes the book with the statement, "Beauty therefore seems to be the clearest manifestation of perfection, and the best evidence of its possibility. If perfection is, as it should be, the ultimate justification of being, we may understand the ground of the moral dignity of beauty. Beauty is a pledge of the possible conformity between the soul and nature, and consequently a ground of faith in the supremacy of the good." (Pg. 164)

This book will be of great interest to anyone studying the philosophy of aesthetics.

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@ Download Baghead, by Jarrett J. Krosoczka

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Baghead, by Jarrett J. Krosoczka

From the author of Good Night, Monkey Boy, the hilarious tale of a haircut gone awry!
One day Josh had a big, brown bag idea: to wear a paper bag over his head. He thought it was a good idea. His mother did not. Neither did his bus driver, his teacher, or his soccer coach. What could Josh possibly be hiding?
A surprise ending will keep kids giggling–and from taking haircuts into their own hands!

  • Sales Rank: #1135129 in eBooks
  • Published on: 2012-11-28
  • Released on: 2012-11-28
  • Format: Kindle eBook

From Publishers Weekly
When Josh insists on wearing a brown paper bag over his head all day, the grownups around him go a bit crazy. "How do you plan to play like that?" asks his soccer coach, a demand that Krosoczka (Good Night, Monkey Boy) renders in imposing handwritten letters. But throughout the day, and in the face of a panoply of authority figures, Josh's resolve not to be unmasked remains as immutable as the three-hole (two for the eyes, one for the mouth) expression on his bag face. The hero's successful acts of insubordination (he makes three goals in soccer, for instance) attest to Krosoczka's sympathy for his audience, who will readily identify with Josh. The saturated, deliberate brushstrokes make the most of Josh's tenaciousness, and the hero's peppy stride and confident stance transforms the paper bag's goofiness into a kind of jaunty cheek. Just when readers may begin to think that Josh could sustain his baghead fa‡ade indefinitely, his little sister pops the one question no adult has bothered to ask: "Why are you wearing a bag, Josh?" For the first time, Josh reveals himself, along with the answer: a do-it-yourself haircut. That same compassionate sister brings about the happy ending in the form of a spiky new 'do (thanks to her pink mega-hold styling gel). Ages 4-7.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
PreSchool-Grade 2-From a brown, flecked dust jacket with two cut-out circles, a pair of eyes stares out at readers. At first, it is not clear why Josh chooses to go through the day-eating breakfast, giving his book report, and playing soccer-with a paper bag over his head. The adults think he won't be able to function, but the child even manages to score three goals. In the end, Josh reveals his motivation-a do-it-yourself haircut. His little sister proposes an alternate solution: "a very cool, spiky, mega-hold gel idea." Quirky caricatures rendered in thick, layered brush strokes are accompanied by short sentences in a childlike font. Curiosity will be piqued by the cover, although the story doesn't sustain interest over multiple readings. A novelty purchase, with programming potential.
Wendy Lukehart, Washington DC Public Library
Copyright 2002 Reed Business Information, Inc.

From Booklist
PreS-Gr. 2. The premise is pretty simple: What would happen if a kid went around with a bag on his head for a day? That's exactly what Josh decides to do as he cuts holes for his eyes and mouth in a paper sack and then is greeted by his mom, bus driver, and teachers, who tell him that he can't function with a bag on his head. Josh's answers to the skeptics are featured on double-page spreads, showing him eating his breakfast, riding on his school bus, delivering a book report, and playing soccer, all with his sack headgear. At the story's conclusion, it's revealed that a self-administered haircut is the reason for the bag, and Josh's sister slathers on plenty of hair gel to provide a solution to the problem. Krosoczka vigorously applies the paint in a series of funny pictures that captures Josh making it through his day. Holes in the brown dust jacket allow two eyes to peer out from the front cover of this offbeat, humorous book. Todd Morning
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

5 of 5 people found the following review helpful.
Amazing book for a speech/motor delayed 4 year old
By HelpingDelayedKids.com
My son loves this story...and reading it together gives us wonderful opportunities to talk about fun new concepts and phrases like "wierd" "spiky" "why - why would a boy wear a bag on his head?" "why would a boy cut holes in the bag first" "what do you think happened to his hair?" etc...It strikes a perfect balance of telling a fun story, while keeping a little bit of mystery for the parents and kids to discuss. Cool ilustrations too.

5 of 6 people found the following review helpful.
5 stars
By A Customer
krosoczka, being both illustrator and author, has created an amazing book. sure to make your child comfortable with their own creativity and individuality. high 5.

5 of 7 people found the following review helpful.
great fun, wonderfully rendered
By A Customer
Baghead is terrific - fun and funny and engaging on every page, with a surprise ending every kid will adore. I read it to a group of eleven-year-olds, and they loved it, too. What a delightful story - I'm glad I stumbled across this book!

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Jumat, 30 Januari 2015

@ Download PDF Sideline Scandals: A Novel (Zane Presents), by Pat Tucker

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Sideline Scandals: A Novel (Zane Presents), by Pat Tucker

The game’s afoot once again in this sizzling sequel to Football Widows, with new members and new drama, courtesy of the women behind the NFL’s biggest stars, and play is getting dirty on and off the field...

The game’s afoot once again in this sizzling sequel to Football Widows, with new members and new drama, courtesy of the women behind the NFL’s biggest stars, and play is getting dirty on and off the field...

Sasha Davenport is riding her popular Football Widows social club all the way to the top. She’s got the right look, the high-profile job, and a glamorous public image that belies all her previous salacious activities. The one thing that eludes her is the star player she needs to complete the cast of her made-for-reality TV life. Los Angeles Sea Lions NFL wife Tatayna Bacall has been faking enthusiasm for the game for too long. Now she wants her star quarterback husband to find a job as a sports analyst so their life can take on some kind of normalcy. Joining the Football Widows Club gives her hope that there is life outside the huddle. But when Tatayna realizes that her husband is a target, she’s ready to break the rules with some foul plays of her own…

  • Sales Rank: #1084119 in eBooks
  • Published on: 2013-09-03
  • Released on: 2013-09-03
  • Format: Kindle eBook

About the Author
By day, Pat Tucker works as a radio news director in Houston, Texas. By night, she is a talented writer with a knack for telling page-turning stories. She is the author of Somebody Has to Pay, The Cocktail Club, Sideline Scandals, Party Girl, Daddy’s Maybe, Football Widows (soon to be a movie), Daddy by Default, and Lachez (an original e-short). She is the coauthor with Earl Sewell of Loyalty Among Friends and A Social Affair and has participated in three anthologies, including New York Times bestselling author Zane’s Caramel Flava. A graduate of San Jose State University, Pat is a member of the National and Houston Association of Black Journalists and Sigma Gamma Rho Sorority, Inc. She is married with two children.

Excerpt. © Reprinted by permission. All rights reserved.
Sideline Scandals

SASHA
I turned my upper body to camera two, allowed my eyes to focus, and flashed my dazzling smile. This was when I was at my very best. The camera loved me, and I made sure to show my love right back.

Most of my time was spent at the KTLA Studios located on Sunset Boulevard, between Van Ness and Bronson Avenues. In addition to The Sasha Davenport Show, Judge Judy, was also taped there. Although my show was taped in one of the twenty-three studios, we only used a small section since I didn’t have a live studio audience.

I glanced up at the lighting grid that was suspended from the studio’s high ceiling. It held various colorful light fixtures, but the one that provided a spotlight for me, cast a soft yellow hue. It beamed down on me and kept me warm while we taped the show in the freezing studio. I loved what the lighting did for my complexion on tape. It helped add to my overall polished appearance, which I worked hard to maintain.

I had gotten used to the feel of the Vaseline that helped my lips glide effortlessly across my sparkling white veneers, so my smile was always camera-ready and perfect. I batted my real mink lashes and began to speak.

“So, I’m leaving y’all with this as we gear up for the next NFL season: There’s tons going on behind the scenes. You have no clue!” I winked. “But that’s why I’m here! I’m your girl, and you already know, I’ve got unprecedented access.”

I crooked my index finger at the camera as if to summon it closer.

“Shhhh.” I used that same finger to tap my pursed glossy lips.

“Between you and me, my sources have confirmed that Los Angeles Sea Lions Head Coach Taylor Almond’s new staff will only consist of two familiar faces. That means only two of his assistants are returning! Can you say clean house?” I paused for effect and widened my eyes.

“Now, I don’t know about you,” I said, “but I, for one, knew this was coming. I mean, think about it. After all the drama that happened off the field last season, I can understand why Coach Taylor felt the need to make such drastic sweeping changes. Well, this year, we’re gonna keep our eyes on a few key players, and hopefully, the coaches and their wives will leave the drama to the plays on the field. Stay with us. I’ll be right back after this short break and a message from one of our sponsors.”

“Sasha, you good? You’ve got two minutes,” the director said through my earpiece. That was his way of letting me know I had time, if I wanted, to grab a quick glass of juice, water, or run to the ladies’ room.

I looked up at the camera and nodded. I was gonna stay put.

“Okay. Cool,” he said.

I needed to use the bathroom, but since we were nearly done taping the show, I figured it’d be smarter to wait. A couple of minutes later, the sound of the director’s countdown stopped my thoughts. I focused in on the correct camera and waited to hear my cue.

“And we’re back in five, four, three, two . . . ” The floor director pointed at me, and on cue, I began to speak.

“Thanks for staying with us. Well, that’s it for this week. Remember, I AM Saaaaasha Davenport! There’s no one better. I am fierce, fantabulous, and very famous. Until next time, sweethearts, Muah!”

I made a wide sweeping motion with my arm and gave the camera my signature palm kiss. I smiled until the director yelled the magic words in my earpiece.

“We’re clear. Great job, Sasha!”

The floor crew, which consisted of two camera operators, and a floor director, broke out in applause, and I hopped off the bar-stool we used for my closing monologue. The Sasha Davenport Show was going well, but lately I’d felt myself becoming bored. I needed more excitement. It wasn’t that the thrill was gone or anything like that, but I felt like it was time for me to step things up.

Those were neither new nor sudden thoughts for me. From day one, my plan was to use this show as a stepping stone to bigger and better things. The problem was, I had become comfortable and stopped striving to get to the next level.

“Thanks, guys,” I said as I made my way off the set. I cut through the control room, which is the nerve center of the television station, to get to the long hallway that led to my dressing room that also served as my office.

“Thanks, guys,” I repeated.

I saw video of myself on one of the many monitors, but didn’t stare too long because I didn’t want anyone to think I was trying to nit-pick. The director, sound engineer, and video editor, barely looked up from their work as I slipped in. I knew the drill and left them to their work.

The moment I walked inside my office, my cell phone rang. I told myself that was part of the problem, too. Each time I began to think about what it might take to go to the next level, something distracted me, and I never revisited my plans.

I vowed not to allow that to happen this time as I greeted the caller. “This is Saaaasha,” I sang.

“Sasha, you don’t know me, but I’ve got some information that you might be able to use on that little show of yours,” the caller said.

“Umph, well, if I don’t know you, how did you get my number, and what makes you think your information is of any use to me and my little show?”

The woman’s hearty laugh made me pull the phone away from my ear.

“Listen, I may not know you, but trust, dah-lin,’ I know your kind,” she said.

I didn’t know whether to be offended or sit back and listen to what she had to say. “You know my kind, huh? And what kind might that be?”

“Well, honestly, I didn’t think it’d be this hard. But whatever. If you wanna play it like that, I’ll hold on to my information. I guess you’ll have to run to play catch up and chase the story like everyone else once it breaks,” she said.

People like this caller made me sick. I made a mental note to check my producer slash assistant because I didn’t have time to be bogged down with this kind of foolishness. Everybody and their mama thought they had a line to some good exclusive hot gossip, until they realized I didn’t pay for that type of information. And I was certain this time was no exception.

“Besides, I shoulda known you was one of them ol’ stuck-up—”

“Oh, no you didn’t!” I snapped and cut her off. “How did you say you got my number again?”

“I didn’t say,” she answered.

I frowned. By now, I was pissed and wondered what could be done about these freaks who thought it was cool to pay $39.95 to get anybody’s cell phone number off the Internet. I was about to check her when there was a quick knock at my door before it opened. My producer, McKenzie Fields, slipped into the dressing room.

“Hey, what’s wrong?” she asked.

I guess the scowl on my face must’ve told her immediately there was a problem.

“You know what, I don’t have time for games. If you have a legitimate show or story idea, you need to go through the proper channels like everybody else. Regardless of how you got my number, here’s a bit of advice, it is tacky and classless to use a stranger’s number out of context,” I said.

McKenzie moved closer. “Who are you talking to?” she asked.

The caller screamed, “I know your ball-chasing, gold-diggin’, opportunist behind ain’t trying to give me no lessons on class and tact!” She laughed. “Especially when we know you ain’t got an ounce of either one!” She laughed louder like it was all she could do to try and catch her breath.

I sucked my teeth and pressed the END button on my cell phone. Then, I turned my anger to McKenzie. She needed to handle this kind of mess. I had other things on my mind, and filtering out the fans from the freaks was way beneath my pay scale.

“McKenzie,” I said.

“Who was that?” she insisted.

“Yeah, that’s exactly what I wanted to talk to you about.” I pointed toward the chair. “Sit, please.”

Most helpful customer reviews

3 of 3 people found the following review helpful.
Drama, Drama and more Drama
By DaFortner
: Sideline Scandals is the sequel to Football Widows and it came with drama, drama, drama. In this sequel we meet back up with Sasha Davenport and her quest to rise up in fame with a reality show. She sets her sights on the star quarterback of the Sea Lions and devises a plan to move in on this player and figure a way to get rid of his wife, a member of the Football Widows club. Next Tatayna is receiving letters with unsettling information about her husband as well as dealing with girlfriend's issues and her own thoughts. Jerri is on house arrest and living under the same roof as her estranged husband, who also took out a restraining order against her. They are in the middle of divorce proceedings. Last up is Eliza, a hard worker setting up interviews with stars and key players. She is under pressure with a self-absorbed boss who takes the credit for Eliza's hard work.

To say this book was packed with drama is an understatement. Sasha Davenport's drive did not allow for having a heart when she set out to find a husband for her reality show. Tatayna had drama with the numerous letters, not to mention she allowed her best friend's view to infiltrate and make the situation worse. Uncovering the originator of the letters went to serious lengths that was really crazy. Jeri's situation was very bizarre and the outcome was not expected and still a mystery as why there was change of heart. The antics she and husband did to each other were quite entertaining and drama filled. Lastly, Eliza's boss Poppy really needed a reality check. It is amazing how Eliza remained employed. This is my first book my Ms. Tucker and after understanding some of the background of these characters she a fine job with their development. Especially portraying Tatayna's husband as a star player who at some points in this story was naïve that I wanted to slap him. The story flowed well but at times, with the flashbacks, a reader could get lost if they have not read the first installment. Again this a packed with drama and was an okay read.

Deborah A. Fortner
Urban Divaz Reviews

1 of 1 people found the following review helpful.
Let The Chips Fall
By Teresa Beasley
Four ladies and the trouble they bring is what readers will discover in Sideline Scandals by Pat Tucker. Jerri and her husband, Jason are going through a messy divorce while still living under the same roof. Jerri is very jealous and being on house rest limits her movements. When an incident occurs at their home, Jason and Jerri may have to call a truce.

Tatyana is married to Dax Becall, whom she hopes will retire and take a lighter position in the sporting industry. Tatyana’s friend, Pam comes to visit and Tatyana makes the mistake of telling her too much of the Becall’s business. Pam takes it upon herself to speak her mind, which causes a drift between Dax and Tatayana. Will Tatyana recover from a possible misunderstanding?

Sasha Davenport founder of the Football Wives Club is now hosting her own talk show. Sasha wants more attention and decides to create a plot that is made for reality television. Sasha will do whatever it takes and does not care who she uses or what she destroys in the process as long as she is the one coming out on top. Will Sasha get more than she bargained for?

Eliza is the crisis management specialist whose boss is very overbearing. Being in the public relations business is tough enough and Poppy Montgomery does not make it any easier. Poppy’s last tactics land Eliza right in the middle of some foolishness that Poppy has created. Will Eliza find her way out?

What I Did Not Like: I noticed that some areas of the story reflected a couple of well-known celebrity’s issues in the media now.

What I Did Like: Sideline Scandals was full of drama, exciting and entertaining. These ladies attract trouble in more ways than one. The characters were well-developed and represented a consistent storyline with smooth transitions. Readers will be able to relate to the mischief displayed throughout the book. This author continues to write books that will have readers continuously turning pages. I recommend Sideline Scandals to others.

This book was provided by the author for review purposes.

Teresa Beasley
A&RBC Reviews
5 Stars=None Stop Page Turner

1 of 1 people found the following review helpful.
Yes, Absolutely!
By OOSA Online Book Club
Sasha Davenport is not only still on the scene, she has her own show, The Sasha Davenport show. The Football Widows Club is still up and running, but now she’s ready to step into some bigger stilettos; reality TV style. While Sasha may be entertaining, she doesn’t have that thing that reality TV is looking for. Determined to get a crew of cameras to follow her all over the place, Sasha has set a plan in motion, and whoever gets hurt just has to deal with it.

Jerri and Jason Nelson are involved in a scandalous divorce. They both are still living in the same residence and doing whatever they can to get under the other’s skin. Jason plays for the Los Angeles Sea Lions and has been unable to keep his marriage vows. Jerri’s jealousy has caused her to act out, and now she’s on house arrest. When a plan backfires, the squabbling pair thinks that maybe it’s time to start over.

Tatyana and Dax Becall have been married for 10 years. They’ve only been in Los Angeles for two years. Tatyana was looking forward to Dax’s transition from being a football player to hopefully co-hosting a football show. She’d seen her share of desperate women, but lately she’d been receiving anonymous letters from a 23-year-old claiming to be Dax’s mistress. At first she didn’t think much of the letters and never told Dax about them. But when her best friend, Pam comes for a visit, she shares them with her. Pam is insistent that they confront Dax. It doesn’t help that Sasha, from the Football Widows Club, is calling her house.

Eliza Carter works in the Sea Lions Public Relations office. Her job is basically to squash rumors, get the players on TV, and help to maintain a positive image. An opportunity arises where she can get two of their players on The Sasha Davenport Show. Poppy McDaniel, her evil boss, is demanding that she makes it happen. While jumping through hoops on both ends, Eliza becomes caught up in Poppy’s scheme.

SIDELINE SCANDAL like its predecessor FOOTBALL WIDOWS is just okay. Tucker knows how to build drama. Readers are expecting fourth and goal, but there are too many penalties. With flags all over the field, the drama fumbles from one character to the other. Just as you get to the 1-yard line expecting a touchdown, you’re blindsided.

This book could’ve been superbowl good. Four characters with arousing storylines, unfortunately, they aren’t taking place simultaneously. Parts of the story are happening, while others have days in between, which make the story awkward. Lying, cheating, conniving, and jealousy attract you, but as the story draws to an end, Tucker switches to telling instead of showing. After being invested for 300 pages, you want to understand the who, what, when, where, why, and how. Instead, you feel as if you’re on the losing side.

Reviewed by: Crystal

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