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? Get Free Ebook The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan

Get Free Ebook The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan

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The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan

The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan



The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan

Get Free Ebook The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan

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The Dragonstone: A Novel of Mithgar, by Dennis L. McKiernan

Welcome to Mithgar, Dennis L. McKiernan’s classic bestselling fantasy series of adventure where legends are forged in the fires of sorcery....
 
For as long as she can remember, the Elven Lady Arin has been besieged by visions from the past—or the future. But none has ever left her so shaken as the one that foretells the fall of Mithgar: images of raging dragons and brutal legions laying waste to everything in their path signifying a devastating war that will threaten the land.
 
There is more to the prophecy than a warning—riddles within the vision that Arin must decipher if she is to prevent the forthcoming destruction. And it will take a journey across countless leagues—connected to a relic of immense power known as the Dragonstone—to find the answers to Mithgar’s salvation....

  • Sales Rank: #423962 in eBooks
  • Published on: 2013-06-04
  • Released on: 2013-06-04
  • Format: Kindle eBook

From Publishers Weekly
Like his previous 11 fantasy novels (Caverns of Socrates, etc.), McKiernan's 12th takes readers to the world of Mithgar with a tale of a grand quest. A vision of bloody world war forces the novel's heroines, Arin, an elf of the mysterious deep woods of Dylvana, and Aiko, a female warrior, to take up an arduous mission to find the missing Dragonstone, a magical gem of immense power, before it can fall into evil hands. Their first stop is a disreputable tavern, where they seek a one-eyed man to fulfill the requirements of a riddle given to Arin in a vision. Since they find two one-eyed candidates, the local drunk and a recently wounded warrior, Arin and Aiko take both along on a roundabout journey full of danger, dragons and other morsels from the standard fantasy menu. Although there is enough detail here to satisfy readers who revel in baroquely textured fantasy worlds, McKiernan seems more interested in pairing off his characters romantically than in the quest itself. This tale of early Mithgar does not stand up to the author's other popular books, but it will keep most hardcore fans of large-scale fantasy entertained nonetheless.
Copyright 1996 Reed Business Information, Inc.

From Booklist
McKiernan returns to his world of Mithgar about three centuries before The Voyage of the Fox Rider (1993). The story is a fairly standard quest for a talisman, the Dragonstone, which the Lady Arin seeks in order to forestall a nightmarish invasion of Mithgar by hordes of dragons she has seen in visions. McKiernan is either learning more history and folklore as he goes or drawing more skillfully on his existing knowledge, because the level of world building rises in each Mithgar novel. The land and its history now have a very lived-in quality. Furthermore, the pacing is brisk and the prose serviceable, although the cast of characters is large enough to give McKiernan problems in developing some of them and the reader problems in keeping track of them. Still, this will hardly repel any of the readers who have become absorbed in Mithgar. Roland Green

Review
“Evocative and compelling.”—Jennifer Roberson, author of The Wild Road

“McKiernan brews magic with an insightful blend of laughter, tears, and high courage.”—Janny Wurts, author of Initiate’s Trial

"McKiernan’s narratives have heart and fire and drive.”—Katharine Kerr, author of License to Ensorcell

Most helpful customer reviews

10 of 12 people found the following review helpful.
A Good book, but it falls short of his others
By A Customer
I am an avid McKiernan fan, and in fact he is my favorite author. All his books are great, but I think this one falls a bit short of his usual standard. The character development was good, but the climax left me feeling unsatisfied. I didn't learn to love all these characters as I am accustomed to doing. I didn't cry at the end. It was--almost--stereotypical. I'll probably read it again to see if my opinion changes, but my first idea is that this is a bit below the line. But still an enjoyable read without being a sci-fi/fantasy classic. McKiernan can do and has done better.

6 of 7 people found the following review helpful.
Not the best, but worth reading
By Katrina
After reading books like the Iron Tower and the Voyage of the Fox Rider, I was a bit disappointed with the Dragonstone. It seemed to borrow a lot from McKiernan's other stories in the whole plot--you know, the black mage is going to destroy the world type deal. I'm not complaining all that much, though, because it is a really good book. A must for McKiernan fans.

1 of 1 people found the following review helpful.
My tiger growls
By EA Solinas
The earliest of the Mithgar books, this is definitely not better off for being so. A generic quest with stock characters, it fails to be epic and instead meanders over a plot that is easy to forget.
Two travellers arrive in a small town, seeking a man with one eye: Arin Flameseer, an Elf who sees the future in fire; and Aiko, a disgraced female warrior from Ryodo. They find two men with only one eye, a town drunk and a very battered warrior. They take both men with them (and a rotting troll eyeball -- GROSS!) on their quest. The quest, told in flashback form, is that Arin had a vision of armies, blood, death, and dragons, all centering around a green stone called the Dragonstone. To find the answer, she must uncover the "cat who fell from grace, the mad monarch's rutting peacock, one-eye in dark water, ferret in high king's cage, and cursed keeper of the faith in the maze." The problem is, none of these are riddles easily unraveled...

Well, you won't find anything new here. We have an elf, a couple of warriors (man and woman), and a slobbering drunk battling an evil wizard. It's like a D&D game, but less fun. Attempts at humor fall utterly flat; I was bored by the quibbling between the dragons, and Aiko's bickering with Alos is annoying, not entertaining. Alos himself seems like a half-hearted attempt at creating a funny character, but most readers will like him as much as they liked Jar Jar Binks. Maybe less.

The writing itself is obsessed with detail; we get descriptions of the physical characteristics of the characters over and over. McKiernan also has a distracting way of stopping the action dead with short two-page chapters that tell the history of an area or the background of a species. I will admit, the explanations for the various parts of the rede were clever... but as one of the prior reviewers said, a nympho-nutso queen? Oh, great idea; this was probably the weirdest and least tasteful part of the book.

McKiernan's repetition problem rears its ugly head again, not only within the confines of the book but within the series as well. We have a very intricate description of Aiko early in the book, and a nearly identical description only a hundred pages later. We're told about the eyepatch and "white-filmed eye" about a thousand times. Alos must throw up dozens of times during the book. Vanidar keeps cuddling with his sweetie in the middle of an important discussion. And if Aiko says that her tiger senses danger ONE MORE TIME...

Within the series, we have the same ol', same ol'. I ask you: Why does Mr. McKiernan give us detailed descriptions of what Elf males wear, since they all look alike? I've seen the same description in every other book I've read: blond hair, headband, same clothing... On the same note, McKiernan only gives his good female characters one kind of dress: "simple yet elegant," with a straight skirt under a bodice, and with the character's hair tied up in ribbons that match the ribbons on the bodice. Oh yes -- and her feet will always be peeking under the hem. (How many people have feet that peek?) When describing the Elf seasonal ritual, we're told "... yet their hearts were full of joy," a line from the Hel's Crucible duology during the same ritual. (Yes, we have to read about the season-changing ritual again, which is identical to the prior descriptions of it)

The characterizations are flat -- the characters are given tragic pasts, in an effort to give them dimension. But they rarely act based on those pasts, and never step out of their stock roles. They also seem pretty clueless; Arin is supposed to be incredibly old and experienced, but she has less of a clue than Aiko or Egil. This is also not one of the Mithgar books that can be given to kids; there is some pretty steamy content, as well as disgusting injuries and references to torture and mutilation on a living person.

Being a McKiernan book, we have a love story: hardly surprising that Arin and Egil get together, since she is a beautiful (and feminine) elf and he is a strong, silent, virile type. But don't be surprised that others get paired up as well. Or die. And, in the manner of "Fox Rider," modern languages such as German are assigned to supposedly ancient civilizations, untold thousands of years ago. Or Pendwyr, which seems to be a pseudo-Wales (with words like "caer").

Frankly, the only way this book could have irritated me more was if the Warrows were in it. Pass by, and read Tolkien again.

See all 36 customer reviews...

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