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Referred Pain: Stories, by Lynne Sharon Schwartz
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Everyone has a face that they show to the outside world—but our thoughts, fears, and perversions lie just beneath
“Referred pain” describes the sensation of pain, not at the actual point of injury, but somewhere else in the body. This disorientation of the senses is felt, in one way or another, by many of the characters in this collection from Lynne Sharon Schwartz, one of America’s foremost chroniclers of contemporary life. In the title novella, a son of Holocaust survivors circumvents his discomfort over his parents’ history through a Kafkaesque series of dental procedures. In another story, a professor’s sexual attraction to one of his students leads him down a twisted path of misplaced identity. Laced with Schwartz’s satirical, acidly intelligent wit, Referred Pain displays the peak of her ability.
- Sales Rank: #1224935 in eBooks
- Published on: 2012-11-20
- Released on: 2012-11-20
- Format: Kindle eBook
From Publishers Weekly
In the unsettling title novella of Schwartz's latest collection of stories, the deluded son of Holocaust survivors feels that he can finally understand the anguish his parents have experienced when he undergoes a series of difficult dental procedures. As the title implies, his pain is experienced indirectly, and Schwartz's metaphor emerges periodically in these 12 stories about vulnerable characters in uneasy situations. Schwartz (Disturbances in the Field; Leaving Brooklyn; etc.), has an uncanny ear for dialogue and a lucid prose style that is by turns comic, surreal and biting, but difficult to categorize. In the clever but not sterile postmodern "Intrusions," she tells of a woman's encounter with an intruder in her apartment building, only to deconstruct the narrative and retell it in a different way. The least rewarding works in the collection are "The Stone Master" and "Deadly Nightshade," which read like contrived, overextended fables. Schwartz's talents are better displayed in stories that bravely mine difficult truths: in "Francesca," a professor finds himself attracted to a student who turns out to be his long-lost daughter, and in "Hostages to Fortune," a middle-aged couple bicker over their two grown children's fates in increasingly abstract terms as the story builds to a startling, ambiguous conclusion. In "Sightings of Loretta," a widower comes to the crushing realization that he never paid enough attention to his wife: "He sat on the bed with horror seeping through him. He was ready to pay attention now. There were questions he needed to ask." With precise economy, Schwartz makes her characters' pain both familiar and felt.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Schwartz is the author of 14 works of fiction and nonfiction, but never before has she so fully disclosed both her incisive use of language and penetrating understanding of the human psyche as in this collection of eerie short stories. Life appears to be oppressively normal as Schwartz establishes typical domestic situations, but things quickly take a turn toward the weird as characters struggle against insidious forces that prevent them from doing what they need and want to do. As situations grow strange and characters strive to find explanations for the inexplicable, Schwartz enters Kafka's nightmarish realm and crafts fables that reach archetypal depths. In the mesmerizing title story, for example, the musician son of survivors of the siege of Leningrad and German concentration camps sees his girlfriend go off to Bosnia to work with rape victims. He struggles to legitimize his easy existence in light of these "aristocrats of pain," and ends up suffering a series of disastrous dental procedures complicated by "referred pain," that is, pain whose source is other than it appears. Donna Seaman
Copyright © American Library Association. All rights reserved
Review
“Schwartz’s generosity of mind and heart, are present on almost every page of this book.” —Chicago Tribune
Most helpful customer reviews
0 of 0 people found the following review helpful.
Mostly Worth the Read... Mostly...
By booknosh
Cut to the Chase:
Referred Pain introduces us to an eclectic group of protagonists and situations; some are surreal and fable-like. “Twisted Tales” and “The Stone Master” have unnamed protagonists trying to shift their way through imagined and imaginary fears and foes and have traces of Aimee Bender’s fantastical fiction. The stronger works in this collection, however, focus on the everyday domestic situations and dramas which, often against the will of the readily recognized and empathy-inducing protagonists, are shaped by everyday crises. Like any collection, there are ups and downs, but overall, I laughed and empathized with many of the characters here, making it a worthwhile read.
Greater Detail:
As always with collections, here are some selected synopses:
“Hostages of Fortune” – an older married couple wrestle (literally and emotionally) with redefining their roles now that their children (whom we gradually learn our protagonist never truly wanted) have grown and flown.
“Twisted Tales” – a series of connected short shorts with unnamed protagonists struggling to align themselves with the world around them: a woman who is convinced she was born into the wrong language, another who barricades herself against all clutter (including members of her family: her husband, her children) so that she might finally be able to think in peace
“The Stone Master” – a wrong turn in a rainstorm lands a moderate celebrity in an almost fantastical town where citizens have stones of light
“The Word” – short short about missed opportunities which seems to be thematic center for the collection
“Intrusions” – my favorite in the collection, a writing professor follows her own exercise and writes about a long-ago incident where she came closest to feeling genuine fear and then reflects on her own telling of the tale: where is it least genuine, most manipulative, what if she had told it all differently?
“Deadly Nightshade” – another fantastical premise: a woman is the first in her village to eat a tomato
Schwartz’s characters are deftly honest about their frailties (divorced parents who reconnect for one night after their son’s wedding in “The Trip to Halawa Valley”) and frighteningly self-aware (a writing professor reflects on the full impact of a story she has written about a long-ago boy intruder in “Intrusions.”) Though there are weaker moments (the more fantastical tales lack the genuine specificity which infuses other stories), what holds this collection together is the wry and often surprising humor found in everyday, almost commonplace dramas. Just as Koslowski learns to endure his little discomforts and finds ways to be moderately heroic in daily life, earning “his right to live,” the string of genuine moments and propelling dialogue saves and justifies the collection as a whole.
Comparisons to Other Authors:
The stories that I enjoyed in this were more about missed opportunities and kind of remembered suffering in a way that maybe reminds me of some of Joyce Carol Oates’s stories (though Oates is so prolific I feel like I might as well not have said that). Specifically, I guess this collection reminded me of some of the short stories in Oates’s Faithless (though I enjoyed the latter a little more), and some of the fantastical stories are like some of what Atwood or Garcia Marquez writes (though again, the comparison would make this one the slightly weaker link).
1 of 1 people found the following review helpful.
Secrets, games, conversations in our heads
By Patricia Kramer
The stories in this book open the window to the characters' minds. They live their public lives but we are allowed to share the private lives and their attempts to live with and avoid pain.
As always Lynne Sharon Schwartz's writing shines. Not a word is wasted. My favorite story was Deadly Nightshade. It is about a woman who breaks with the grandparents' warnings and dares to eat a "poisonous" tomato. "Nothing she did in later years came close to the elation of that single act of abandon. She was a daring woman who found no more opportunities for daring, or for the kind of daring peculiar to her, which was biting into the perilous unknown and letting it travel through her."
This was a short simple story which illustrates the book's theme of people living their lives wanting more of life but not being able to grab the brass ring for that second chance.
The stories will linger in your mind.
1 of 2 people found the following review helpful.
Some great stories, some not so great
By J. Rosenberg
I loved the title story in this collection. Everything in it worked toward the perfect culmination. Some of the other stories fell a bit flat, and the ones that leaned toward the "experimental," only a couple, were not my cup of tea. Overall a very satisfying read.
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