Jumat, 31 Januari 2014

? Ebook Free Hollywood's Africa after 1994, by Natasha Himmelman

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Hollywood's Africa after 1994, by Natasha Himmelman

Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling?



The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa.



Contributors: Harry Garuba and Natasha Himmelman; Margaret R. Higonnet, with Ethel R. Higgonet; Joyce B. Ashuntantang; Kenneth W. Harrow; Christopher Odhiambo; Ricardo Guthrie; Clifford T. Manlove; Earl Conteh-Morgan; Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade; Christopher Garland; Kimberly Nichele Brown; Jane Bryce; Iyunolu Osagie; and Dayna Oscherwitz.

  • Sales Rank: #904243 in eBooks
  • Published on: 2012-11-20
  • Released on: 2012-11-20
  • Format: Kindle eBook

Review
“Chinua Achebe shocked Western sensibilities in 1977 when he criticized Joseph Conrad in Heart of Darkness for reducing Africa to a mere ‘setting and backdrop’ for white consciousness to act out its ‘metaphysical battlefield.’ Hollywood’s Africa after 1994 exposes major Western filmmakers and their celebrity casts who still don’t get the message. They continue to focus on themselves with their cameras and projectors and not on Africa, yet thinking they come close to it, they shed crocodile tears.”
— Charles Cantalupo, Distinguished Professor of English, Comparative Literature and African Studies at Penn State University, and author of Joining Africa: From Anthills to Asmara

“Scholars and advanced students in African studies, media studies, postcolonial studies, and international studies will find a lot to learn from (Hollywood’s Africa) and to like about it…. Most valuable…is how it illustrates an underlying tension in human rights films set in Africa: the way they seem to take on, even challenge, the messy politics of the day, yet almost always fall back to the standard tropes about Africa and our engagement with it.”
— H-Net (H-Diplo)

About the Author
MaryEllen Higgins is an associate professor of English at the Greater Allegheny Campus of Pennsylvania State University. She is the coauthor of The Historical Dictionary of French Cinema. Her publications include articles and book chapters in Research in African Literatures, Tulsa Studies in Women’s Literature, African Literature Today, Journal of Commonwealth Literature, Perspectives on African Literatures at the Millennium, and Broadening the Horizon: Critical Introductions to Amma Darko.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Eye opening!
By Bio Bettie
What caring person doesn't want to see an end to war, genocide, hunger and poverty? What caring person doesn't believe in equality, human rights, freedom and sovereignty? Film has been a powerful tool for informing people about such issues -- but how well do they inform us about modern Africa? Is it possible that Hollywood loses both accuracy and compassion in it's desire to create blockbuster films? Does Hollywood doggedly evaluate Africa with wild west buddy movie perspectives, to forward American military goals? This is a highly academic book of essays, but it will make you think!.

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Kamis, 30 Januari 2014

? Download Heads Will Roll: A Tor.Com Original, by Lish McBride

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Heads Will Roll: A Tor.Com Original, by Lish McBride

Lena's not your typical animal trainer. And when she and her unicorn partner, Steve, decide to enter a fight, it's definitely not your typical fight…

  • Sales Rank: #781592 in eBooks
  • Published on: 2012-11-27
  • Released on: 2012-11-27
  • Format: Kindle eBook

Most helpful customer reviews

4 of 4 people found the following review helpful.
A quirky tail of sparkly death unicorns....entertaining
By L. C Glover
Summary:
The short story "Heads Will Roll" is based on the world created by Lish. She has developed it into a two-book series.

The main characters are innovative and entertaining. There is a an element of 4th-wall chatter that mostly works. The author takes some novel takes on -- unicorns and Anubis-like extra-planar creatures.

It is a quick read and worth the low price of $0.99 on kindles. The image of crazed, glowing, sparkling unicorn dealing death and justice seems like a Generation Y satire on 'My little Pony' brand/cartoons.

3 of 3 people found the following review helpful.
So good I forgot to blink!
By laurathomas61
Whoa! I don't think I even blinked while reading this.

Lena is the epitome of tough. She can hold her own with the best. Half human and half Valkyrie, she has much of the warrior women's strengths.

Her partner, Steve, is a snow-white unicorn. You don't see many of them around, and definitely not in the fighting arena.

The unicorn is a symbol of purity and usually has to be starved, beaten and driven insane in order to get them to fight.

That's not the case with Steve. He's a full partner with Lena and has a mind of his own. Unicorns choose their own names and I wouldn't want to make fun of Steve. He's 18 hands of snow-white fury.

It's a good thing Lena and Steve speak telepathically, otherwise the job they're here to do would be near impossible.

This short fiction blew me away. You get to meet so many cool creatures. There are nemean lions, harpies, hags, manticores, wepawets and waheela's to name a few.

I'm partial to the Waheela. Kind of a cross between a wolf and a polar bear.

I also liked the Wepawet. It's an Egyptian God with the body of a man and the head of a jackal.

I'm in awe of Lena. She's smart, tough, and funny, and adores Steve. She also swings a mean blade.

Steve is wise, sarcastic, and always has Lena's back. They make a dynamic team. Woe to the creature that has to fight them.

There are several other characters I became fond of, but I can't tell you about them without spoiling your reading pleasure.

I'm amazed at how much I got out of this short work of fiction. Lish McBride added all of the right ingredients and created a short tale that hit me with the impact of a full novel.

I hope she continues with these characters. I really do.

For now, I'm going to start reading her Necromancer series. They look really good, and if her writing stays true to form, I'm sure I'll love them too!

2 of 2 people found the following review helpful.
fantastic
By Amazon Customer
unicorn and glitter and blood and death. i would so very much love more about these characters.

(also, this same product is free on tor)

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! Free PDF The Imitation of Christ (Dover Thrift Editions), by Thomas à Kempis

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The Imitation of Christ (Dover Thrift Editions), by Thomas à Kempis

This classic of Christian devotional literature has brought understanding and comfort to millions for centuries. Both Protestants and Catholics — as well as mystics and historians of religious thought — have studied these meditations on the life and teachings of Jesus, finding in them a path to prayer and spiritual guidance. Written in a candid and conversational style, The Imitation of Christ discusses liberation from worldly inclinations, recollection as a preparation for prayer, the consolations of prayer, and the place of eucharistic communion in a devout life. With its simple, readable text, this translation will appeal to new readers as well as to those already familiar with this religious classic.

  • Sales Rank: #430921 in eBooks
  • Published on: 2012-03-22
  • Released on: 2012-03-22
  • Format: Kindle eBook

Amazon.com Review
The Thomas à Kempis fan club includes St. Ignatius, Thomas Merton, Thomas More, and even Agatha Christie's Miss Marple. (She reads a chapter of The Imitation of Christ every night before sleep.) Imitation has exerted immense influence on Christian worship, ethics, and church structure, because it gives specific yet broad-minded guidance about the central task of Christian life--learning to live like Jesus. Better to read this book a little here and there, now and then, than to try gobbling it cover to cover. Imitation is no triumph of orderly thinking, but it's a great monument and incentive to deep living. --Michael Joseph Gross

Review
If a man tells you that he is fond of the Imitation, view him with sudden suspicion; he is either a dabbler or a saint...Heaven help us if we find easy reading in the Imitation of Christ -- Ronald Knox None, I believe, except the Bible, has been so universally read and loved by Christians of all tongues and sects -- Thomas Carlyle The most influential devotional book in Western Christian history -- Professor John van Engen

Language Notes
Text: English (translation)
Original Language: Latin

Most helpful customer reviews

167 of 171 people found the following review helpful.
Listening with the Heart
By Mark Blackburn
"Want to know the best advice I ever heard?" asked Larry King, in an interview published today in Canada's National Post newspaper: "I never learned ANYTHING while I was talking." 50 years experience at the interviewer's microphone and Larry's best advice comes down to one word. "Listen!"

Coincidentally (or maybe not!) I picked up this just-received book, sent to me by a dear friend who recalled my reviewing an earlier published edition of this same "Ronald Knox translation." And it literally fell open to these words,

"By all means ask questions, but LISTEN to what holy writers have to tell you . . . often enough, (when we hear) Holy Scripture, we are distracted by mere curiosity; we want to seize upon some point and argue about it, when we ought to (listen) and move on."

I flipped open "The Imitation" just now and my eyes (lately fixated on my newest pride and joy were these: (p 32 under the heading, "ABOUT SELF-CONFIDENCE, AND HOW TO GET RID OF SELF-CONCEIT")

"It is nonsense to depend for your happiness on created things (and) why all this self-importance? Do not boast of riches, if you happen to possess them . . . nor about the important friends you have; boast rather of God's friendship.

"Do not give yourself airs, if you have physical strength or beauty; it only takes a spell of illness to waste the one, or mar the other. Do not be self-satisfied about your own skill or cleverness; God is hard to satisfy, and it is from him that they come, all these gifts of nature.

"He reads our thoughts, and will only think the worse of you, if you think yourself better than other people. Even your good actions must not be a source of pride to you: If you have any good qualities to show for yourself, credit your neighbor with even better qualities: that is the way to be humble.

"To be humble is to enjoy undisturbed peace of mind, while the proud heart is swept with gusts of envy and resentment."

----

Seven years ago (on my birthday actually) I wrote my very first review for Amazon.com -- for an earlier re-print of this same translation. This latest version, from Ignatius Press of San Francisco, is far-and-away the most beautiful and features cover art by Andrea Solario (1480-1540) from the "Galleria Borghese, Rome" -- painted about a century after Thomas a Kempis produced his "Imitation." Inside artwork includes some marvelous, same-period woodcuts by Albrecht Durer.

----

In his (2005) FOREWARD to this new edition, psychologist and priest Benedict Groeschel (seen by millions on his "Sunday Night Live" TV show on EWTN) recalls stealing his first copy of the "Imitation" from the public library in his Caldwell NJ hometown - slipping it into his schoolbag intending to return it "to its rightful place on the shelf, in two weeks time, the ordinary period for a book loan in those days."

"The title suggested to my 12-year-old mind that this must be a story about someone who pretended to be Jesus. I went and sat by a window . . . the spring sun (shining) on the oak table, I can still see my blue-sweatered arm around the book as I began to read:

"'Vanity of Vanities - all is vanity except to love God and serve him alone.' At that moment I was electrified, and I sat there reading page after page . . . . for two hours, mesmerized by the book!"

----

As for the translation? Is it really the best-ever? I stand by my thoughts of seven years ago:

"I have several translations of the Imitation but I keep coming back to this one. I believe many readers will find this translation 'flows' better than the others, written as it is in a warm, gentle and accessible style by a master translator and communicator, Monsignor Ronald Knox. A convert to Catholicism who produced an acclaimed Latin-to-English translation of the Bible, Knox completed the first 30 or so chapters of the Imitation before his death in 1957. He wrote to Michael Oakley, two months before his passing: "If I die without finishing my translation, please tell my executors that you are to finish it." The younger Latin scholar did a splendid, seamless job of completing Knox's superb translation of what was--until this century--the second most widely read book in the world. What a delight that this version is once again available, [50 years] after its first publication. If you purchase only one copy of the Imitation in your lifetime, make it this one."

245 of 255 people found the following review helpful.
Best Translation of the World's 2nd Most Important Book
By Mark Blackburn
I have several translations of the Imitation but I keep coming back to this one. I believe many readers will find this translation 'flows' better than the others, written as it is in a warm, gentle and accessible style by a master translator and communicator, Monsignor Ronald Knox. A convert to Catholicism who produced an acclaimed Latin-to-English translation of the Bible, Knox completed the first 30 or so chapters of the Imitation before his death in 1957. He wrote to Michael Oakley, two months before his passing: "If I die without finishing my translation, please tell my executors that you are to finish it." The younger Latin scholar did a splendid, seamless job of completing Knox's superb translation of what was--until this century--the second most widely read book in the world. What a delight that this version is once again available, almost 40 years after its first publication. If you purchase only one copy of the Imitation in your lifetime, make it this one.

180 of 191 people found the following review helpful.
The way to happiness and peace
By Adam C. Roberts
As a pastor I see so many people who are miserable. They are depressed, filled with worry and have so little joy in their lives. This book speaks specifically to those problems.
In a nutshell this book says that we are miserable because we are trying to find joy in other people and in other things and everything out there will fail us and let us down. The only thing that provides true happiness, peace and contentment is God. The Imitation of Christ goes through exercises on how we can detach ourselves from worldly things to focus on God. Once we are focused solely on God and have the faith that God will provide everything we need, then we can really enjoy the world around us. Enjoy it because once we receive true happiness from God we can see how beautiful the world is and enjoy it as the gift God created it to be, instead of something that we grab onto in the hopes that it will provide us our happiness and security.

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Rabu, 29 Januari 2014

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Introduction to Italian Poetry: A Dual-Language Book (Dover Dual Language Italian)From Dover Publications

This anthology highlights seven centuries of Italian poetry that will help you learn the language as well. Included are 34 examples of Italian verse in the original with English translations on facing pages. Twenty-one poets are represented, from Saint Francis of Assisi, author of the first memorable Italian lyric, "Cancio delle creature," to Salvatore Quasimodo, winner of the 1959 Nobel Prize for Literature. Also included are works by Dante, Petrarch, Ariosto, Tasso, and Montale, as well as such lesser known but significant poets as Compiuta Donzella and Cavalcanti. There are even important works by Boccaccio and Michelangelo.In addition to full Italian texts with expert literal translations on facing pages, this edition contains a wealth of biographical and critical commentary.

  • Sales Rank: #1036670 in eBooks
  • Published on: 2012-09-06
  • Released on: 2012-09-06
  • Format: Kindle eBook

Language Notes
Text: English, Italian (translation)
Original Language: Italian

From the Back Cover
This anthology highlights seven centuries of Italian poetry that will help you learn the language as well. Included are 34 examples of Italian verse in the original with English translations on facing pages. Twenty-one poets are represented, from Saint Francis of Assisi, author of the first memorable Italian lyric, "Cancio delle creature," to Salvatore Quasimodo, winner of the 1959 Nobel Prize for Literature.Also included are works by Dante, Petrarch, Ariosto, Tasso, and Montale, as well as such lesser known but significant poets as Compiuta Donzella and Cavalcanti. There are even important works by Boccaccio and Michelangelo.In addition to full Italian texts with expert literal translations on facing pages, this edition contains a wealth of biographical and critical commentary.
Unabridged and updated Dover (1991) republication of the work originally published by Dover under the title Invitation to Italian Poetry in 1969.

Most helpful customer reviews

24 of 25 people found the following review helpful.
Excellent Anthology of Italian Poetry
By Doreen Mace
This thin book acquaints readers to well-known Italian poetry over a range of seven centuries in the periods between the 1200's to the 1960s. A reader might ask what the value is in a small book that covers so great a time span, but the book offers a sample of different writers and their styles. And if these poems should become your favorite, this book is a nice addition to a collection. There is a short biography and picture or drawing on each writer. Where Rebay is not able to locate a picture of the writer, a few pages show scanned manuscripts of the author's writing sample. In itself, the calligraphy on the manuscripts is a work of art. All of the poems have both the original Italian verse and tne English translation. One of the best poems in this book is written by Torquato Tasso and is about the experience of unrequited love, where he wishes that he were a bee so that he could cause a sting to avenge his wounds. And if a reader likes this series, there is a catalog at the end of the book that lists other Dover Books.

13 of 13 people found the following review helpful.
A first introduction to the history of poetry and development of language
By Uta Taylor-Weaver
This dual language book is a delightful and valuable introduction to Italian poetry for the student of the Italian language.
It begins in chronological order with the 12th century work of Saint Francis of Assissi's Cantico delle creature, which is accompanied by a very helpful explanation of historical language development so that the poem itself can be read in the original Umbrian dialect. Each poet is introduced by a short biographical sketch.
The collection includes poems by Pertrarca, Boccaccio, Lorenzo De' Medici, Michelangelo, Nobel Laureate Salvadore Quasimodo and many others.
I can highly recommend this booklet.

14 of 16 people found the following review helpful.
Affordable and enjoyable
By Juan Pablo Pira
Where else can you find a collection with Leopardi, Foscolo, Boccaccio and others for this price? You also get poems by people you didn't know wrote poetry like Michelangelo.

See all 9 customer reviews...

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** Ebook Free Ancient Israel: The Former Prophets: Joshua, Judges, Samuel, and Kings: A Translation with Commentary, by Robert Alter

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Ancient Israel: The Former Prophets: Joshua, Judges, Samuel, and Kings: A Translation with Commentary, by Robert Alter

Robert Alter’s award-winning translation of the Hebrew Bible continues with the stirring narrative of Israel’s ancient history.


To read the books of the Former Prophets in this riveting Robert Alter translation is to discover an entertaining amalgam of hair-raising action and high literary achievement. Samson, the vigilante superhero of Judges, slaughters thousands of Philistines with the jawbone of a donkey. David, the Machiavellian prince of Samuel and Kings, is one of the great literary figures of antiquity. A ruthless monarch, David embodies a life in full dimension as it moves from brilliant youth through vigorous prime to failing old age.

Samson and David play emblematic roles in the rise and fall of ancient Israel, a nation beset by internal divisions and external threats. A scattering of contentious desert tribes joined by faith in a special covenant with God, Israel emerges through the bloody massacres of Canaanite populations recounted in Joshua and the anarchic violence of Judges. The resourceful David consolidates national power, but it is power rooted in conspiracy, and David dies bitterly isolated in his court, surrounded by enemies. His successor, Solomon, maintains national unity through his legendary wisdom, wealth, and grand public vision, but after his death Israel succumbs to internal discord and foreign conquest. Near its end, the saga of ancient Israel returns to the supernatural. In Elijah’s fiery ascent to heaven many would find the harbinger of a messiah coming to save his people in their time of need.

  • Sales Rank: #321103 in eBooks
  • Published on: 2013-04-01
  • Released on: 2013-04-01
  • Format: Kindle eBook

Review
“One of the most ambitious literary projects of this or any age.” — Adam Kirsch (Tablet)

“Alter’s translation can be fairly described as a godsend…Immediately readable, immensely learned, an education and a restitution.” — Seamus Heaney (Times Literary Supplement)

“The poets will rejoice. Alter’s language ascends to a rare purity through a plainness that equals the plainness of the Hebrew.” — Cynthia Ozick (New Republic)

“Alter takes us back to the essence of the meaning…Everything is clearer, seeming to have been rinsed not in the baptismal waters of the New Testament but in the life-giving water of the desert.” — James Wood (The New Yorker)

“A considerable achievement…Alter holds me to his darkly economical texts.” — Harold Bloom (New York Review of Books)

“You think you know these texts, or you do until you read Alter, who reignites their beauty in bracing and unexpected ways.” — Malcolm Jones (Newsweek)

“Thrilling and constantly illuminating. After the still, small voices of so many tepid modern translations, here is a whirlwind.” — Michael Dirda (Washington Post)

“Alter has achieved the significant feat of refreshing English by taking it back to one of its sources of strength.” — Peter Ackroyd (Times (London))

“Alter the commentator deserves as much attention as Alter the translator… The strengths of his commentary are its wealth of short, pithy formulations, rich descriptions of translation issues, and historical and literary discussions… Alter is an eloquent popularizer.” — John Hobbins (Los Angeles Review of Books)

About the Author
Robert Alter's ongoing translation of the Hebrew Bible, the magnificent capstone to a lifetime of distinguished scholarly work, has won the PEN Center Literary Award for Translation. His immense achievements in scholarship ranging from the eighteenth-century European novel to contemporary Hebrew and American literature earned Alter the Robert Kirsch Award for Lifetime Achievement from the Los Angeles Times. A member of the American Academy of Arts and Sciences and the American Philosophical Society, Alter is the Class of 1937 Professor of Hebrew and Comparative Literature at the University of California, Berkeley.

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45 of 45 people found the following review helpful.
Masterful Translation, Instructive Commentary
By Stephen R. Harris Jr.
By and large, Alter's work is a milestone in the art of translation and is in and of itself an instructive resource for students of the Bible in general, and students of Hebrew in particular. Typically, the practice of translation is viewed through the lens of a false dichotomy: either translations are mechanical, wooden, and "literal" or they are dynamic, thought-for-thought, or otherwise paraphrastic. Alter demonstrates cogently and forcefully that translation is not a game of viewing words as equations to be solved, nor is it the practice of grabbing what the author was trying to say and rendering it in an "abridged" kind of way (see his article in his "Five Books of Moses" entitled, "On the Heresy of Explanation").

As a Hebraist I was immediately gripped by Alter's command of the Hebrew, and stunned by his grasp of the subtle distinctions between literary expressions in the Hebrew text. It goes without saying that what the author has done in this volume and the others of his series is to demonstrate that translation is as much of an art as it is a science; biblical literature often makes sudden and abrupt changes from prose to poetry, and not to mention careful and calculating choices in vocabulary and diction. Translation is just as much about translating art as it is about saying, "this word means this, and that word means that..." Unfortunately the artistry of the text is usually compromised in many English translations because of false assumptions about "literal" versus "dynamic" and paraphrastic translations of the text.

In so many ways, Robert Alter is changing the way that scholars and layman alike are viewing the art of translation, especially among those that know Hebrew and Aramaic. If you have never picked up Alter's translations before, perhaps now would be a good time. His commentary alone is provocative enough, but his translation alone is worth the price of this volume.

My ONLY complaint about this volume has to do with the absence of the section that is typically at the end of his works entitled, "For Further Reading." I contacted him about this and he insists that the bibliography would have been too cumbersome and not particularly helpful for readers. In his volume, "The David Story," there is a run-down of the characters in the narrative of 1 and 2 Samuel as well as a brief list of some of the resources that he consulted in the production of that translation that are absent in this one. While I wish that those appendices would have been included in the present volume, I understand his decision, and I am not deterred in recommending his work in the slightest.

Hebrew Bible translation is moving into a new age in a BIG and GREAT way. Check out this volume and others of his translations to see some of where Bible translation is heading and you might just find some insightful surprises along the way; passages that were once obscure are now clear, passages that translators flattened into clarity by way of the heresy of explanation stand ambiguous as they were in the Hebrew. Altogether, this work is extremely readable, powerfully insightful, and a sober challenge to the excuses of translators past.

Happy reading!

28 of 29 people found the following review helpful.
Worth buying and reading
By Israel Drazin
Robert Alter, an award winning author, has many skills including knowing Hebrew, understanding the Bible, and writing well. He translated and commented on many biblical books. He translates and comments upon "The Former Prophets: Joshua, Judges, Samuel, and Kings" in this volume. Ancient Judaism divided the Hebrew Bible into three parts: Torah (the Five Books of Moses), Neviim (the prophetical books - books derived by prophecy), and Ketuvim (writings - inspired books). The entire collection is called Tanach, which is an acronym made up of the names of the three parts. Later scholars divided the second section Neviim into two parts, the former and later prophets. Actually, the "former Prophets" are not books of prophecy, but historical books.

Alter does not attempt to give his readers an extensive commentary on the four books. However he does introduce each with about a half dozen pages in which he explains the history and contents of the book. He also places about half a page of commentary on each page of each book.

Alter's translation is much clearer than many others. For example, just a simple sentence in the Art Scroll edition of I Samuel 11:1 translates: "Then Nahash the Ammonite sent up and besieged Jabesh-gilead, and all the people of Jabesh said to Nahash, `Seal a covenant with us, and we will serve you.'" Alter has: "And Nahash the Ammonite came up and encamped against Jabesh-Gilead. And all the men of Jabesh said to Nahash, `Make a pact with us, and we shall be subject to you.'" In more than half a page under this sentence, Alter explains what the Ammonite kingdom is, its relationship to King Saul and King David, what is the settlement of Jabesh-Gilead, its relationship to Saul, what was found in Cave 4 of Qumran in the twentieth century that throws light on this episode.

10 of 10 people found the following review helpful.
Another brilliant rendering of the Hebrew Bible
By R.W.A.
I am a newcomer to Alter's work, having been pointed his way by a friend. We recently led a Bible study on Judges, and lamented the fact that Alter's translation and commentary were not yet available. So, as soon as I saw it was available I placed my order. Ancient Israel offers helpful and concise introductions to each translation, and interesting and sometimes provocative notes throughout. Alter approaches the text as a piece of literature, and is great at revealing the artistry of the ancient compilers of these foundational narratives. If what you want is a devotional or explicitly religious perspective, I'd recommend looking elsewhere. But if you want a fresh look at some familiar texts too often taken for granted, then this book is highly recommended.

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Selasa, 28 Januari 2014

@ PDF Ebook In God's Hands, by Lawrence Kushner, Gary Schmidt

PDF Ebook In God's Hands, by Lawrence Kushner, Gary Schmidt

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In God's Hands, by Lawrence Kushner, Gary Schmidt

In God's Hands, by Lawrence Kushner, Gary Schmidt



In God's Hands, by Lawrence Kushner, Gary Schmidt

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In God's Hands, by Lawrence Kushner, Gary Schmidt

A Charming tale to remind us all that our kindness works miracles.
“When the sun sets and stars fill the sky, the square in the little town grows quiet and still. The cool air of distant hills mingles with the sweet scent of baking bread. The moon rises and glows softly. It’s the sort of place where miracles could happen.”
David and Jacob live in the same little, ordinary town, but it’s almost as if they’re from different worlds. David is so poor he can barely feed his family. Jacob is so consumed with staying rich he thinks about nothing but money. But the two men have one thing in common: they both believe that miracles are big, magical things that can only happen somewhere else, to someone else.
But when Jacob wakes up from a nap in synagogue one day, sure that God has demanded twelve loaves of bread from him, all this changes in amazing ways you’d never expect.
A delightful, timeless legend based on Jewish tradition, In God’s Hands tells of the ordinary miracles that occur when we really, truly open our eyes to the world around us.

  • Sales Rank: #1711968 in eBooks
  • Published on: 2012-11-07
  • Released on: 2012-11-07
  • Format: Kindle eBook

From School Library Journal
Kindergarten-Grade 3–Jacob, a rich man, always falls asleep in synagogue, but one day he wakes up just in time to hear the words of Leviticus read: ‘You shall bake twelve loaves of challah, and set them before Me in two rows, six in each row.' He is certain that God is talking directly to him, so he hurries home and quickly bakes 12 loaves of bread. He brings them to the synagogue and places them in the Holy Ark. David, the poor caretaker, discovers the loaves and believes that they were sent from God to answer his prayers for food to feed his family. Over the years, Jacob's giving and David's receiving become routine. When the rabbi discovers the two men and reveals to them what has been happening, they both learn how their hands have become God's hand in creating a miracle. Based on a traditional folktale, Kushner and Schmidt's retelling is greatly enhanced by Baek's detailed illustrations in deep blues and earth colors. Similar to Aubrey Davis's Bagels from Benny (Kids Can, 2003), this version follows the original more closely and has a slightly more sophisticated message.–Rachel Kamin, Temple Israel Libraries & Media Center, West Bloomfield, MI
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Gr. 1-3. Kushner, who has written many books for children and adults, teams with Schmidt, whose Lizzie Bright and the Buckminster Boy was both a 2005 Newbery and Printz Honor Book, to create a meaningful tale that will open children's eyes to the ways in which one can become God's hands on earth. Jacob is rich, and much too busy thinking about money to consider miracles. David is poor; feeding his children takes precedence over miracles. One day, Jacob hears a Torah verse: Make 12 loaves and set them before Me. Jacob bakes the loaves and puts them in the ark with the Torah scrolls. That very day, David comes to the synagogue, pleading to God for food for his family; he opens the ark and finds the bread. When Jacob returns to the synagogue, the bread is gone. Both men think God performed a miracle. After months of giving and receiving, they learn the truth. At first they are disappointed, but their rabbi makes them understand that on earth God's miracles often come through His people. This lovely piece of bookmaking combines a good tale with a strong, easily understood message. Baek's artwork, set against buff-colored pages and highlighted in shades of blue, uses a variety of angles, placements, and design elements to invite interest. A great discussion starter. Ilene Cooper
Copyright © American Library Association. All rights reserved

From the Inside Flap
In this, their first collaboration, award-winning authors Lawrence Kushner and Gary Schmidt bring new life to a traditional Jewish folktale, reminding parents and kids of all faiths and all backgrounds that each of us has the power to make the world a better place--working ordinary miracles with our everyday deeds.

David and Jacob are two ordinary men living ordinary lives in an ordinary town. They can't imagine why God should be interested in them, but one day--much to his surprise--Jacob finds himself listening to instructions from God that he's convinced are meant solely for him. "You shall bake Me twelve loaves of challah, and set them before me in two rows," God says. And who is Jacob to say no?

By leaving the challah in the synagogue, the most holy place he knows, Jacob sets into motion a chain of events that will forever change his life--and the life of his neighbor David, too.

Beautifully illustrated, In God's Hands tells the charming story of two men who discover that God indeed works through human hands--even theirs--in unexpected and miraculous ways.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A nice deed that wasn't a miracle
By Israel Drazin
This thought-provoking tale by a rabbi and a college professor, with illustrations by an artist whose works appear in many national publications, is based on an ancient Jewish folktale, but is a story and has a message for people of all faiths. It is about a rich man, Jacob, who constantly falls asleep during the rabbi's sermons, and a poor man, David, who is the synagogue caretaker.

One day, Jacob woke up during the Torah reading in the synagogue and heard the Torah reader recite from the book of Leviticus, "You shall bake twelve loaves of challah (bread)," and he fell back to sleep. When he awoke, Jacob thought that he had heard a command from God.

The authors tell us what happened next, how what Jacob thought was a command from God affected both Jacob and David, how the two men were sure they saw miracles, how the synagogue rabbi explained what had happened, and how Jacob and David lived afterwards, a life we should all live.

1 of 1 people found the following review helpful.
God works miracles through people
By Brian Villanueva
What is a miracle?

Thats the central question of this book, told from a Jewish perspective, but equally valid for Christians.

Does a miracle require God to visibly, obviously make something happen on Earth?

A lady's car dies in a bad neighborhood. She prays for help, and her prayer is answered when a good Samaritan stops to jump-start her car. Is that a miracle? Or just a coincidence?

A father who's been laid off and is about to be foreclosed on prays for God to provide a place for his family. He suddenly gets a job offer from a company who heard about him from a friend, and with whom he never applied. Miracle? Or coincidence?

A man has terminal cancer and has been told he has 6 months to live. He asks his church to pray for him. 3 months later he goes in and is found to be cancer free for no medical reason. Miracle? Or coincidence?

Defining a miracle is hard even for adults, let alone explaining them to children.

In this book, David is poor with a wife and 3 kids, and his family is hungry, but he's a devout Jew who loves God. Jacob is rich and fat and falls asleep in church. But one day, Jacob wakes up just enough to hear a reading from Leviticus: "you shall make 12 loaves of bread and set them before me in 2 rows". Upon leaving the church, Jacob is convinced that he's heard the voice of God (perhaps he has), so he goes home, bakes 12 loaves of bread, and leaves them in the church. No sooner has Jacob left, then David enters the church and asks God for help providing for his family. He then sees the 12 loaves of bread. He takes it as a miracle and an answer to his prayer. This cycle continues for several weeks until the rabbi sees the whole exchange. It is the rabbi's answer that makes the book worth reading, so I won't spoil the ending.

We've referred back to this book on numerous occasions when our family was the good Samaritan. We often mention to our kids that we have no idea whether we were the answer to someone else's prayer. We don't know what God's doing, but He does.

In short: God doesn't need us to work miracles. He can always find someone else. But if he wants to work a miracle through you, why would you refuse?

That's a message I'm happy to teach my kids.

4 of 4 people found the following review helpful.
Contemporary parable
By Stephanie Lloyd
In God's Hands is a fable about how God meets the needs of people in unexpected ways. The story is based in a Temple, which connects families who have very different socio-economic status in the community. A man prays for help feeding his family, and God answers the prayers through another man who has plenty to share. Neither man comes into contact with the other until the Rabbi catches on to what is happening and introduces the two men to each other. A great story for children of all ages!

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Minggu, 26 Januari 2014

> Ebook One Heart to Win, by Johanna Lindsey

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One Heart to Win, by Johanna Lindsey

In her fiftieth novel, New York Times bestselling author Johanna Lindsey takes her readers on a sensual, romantic adventure through the American West.

Some young ladies marry for money and social standing, a few lucky ones marry for love—but Tiffany Warren is marrying to end a feud. Honoring her mother’s promise, Tiffany reluctantly travels west to meet her estranged father and his enemy’s eldest son, rancher Hunter Callahan. Once the Warrens and the Callahans are united by marriage, both clans will stop squabbling over a disputed strip of land. In the chaos of a train robbery Tiffany seizes a golden opportunity: By assuming the identity of her father’s new housekeeper she can live with the father she never knew and assess his true character, as well as that of the neighboring cowboy to whom she is betrothed. But, too late, Tiffany discovers that the rivalry between the Warrens and the Callahans has escalated when the Callahans steal the Warrens’ housekeeper as soon as she steps off the train!

Now, Tiffany, who is pretending to be Jennifer Fleming, finds herself living in the enemy camp, under the same roof as her fiancé. All too soon she learns her intended is a handsome, sweet talking charmer whom she has to fight off because he can’t keep his eyes—or his hands—off Jennifer. After Tiffany’s charade is exposed she refuses to marry Hunter to end the feud. As Hunter goes about claiming his rightful bride-to-be, he knows that although he loves two women—proper, elegant Tiffany as well as spunky, passionate Jennifer—he has only one heart to win.

  • Sales Rank: #33955 in eBooks
  • Published on: 2013-06-11
  • Released on: 2013-06-11
  • Format: Kindle eBook

Review
“A character-rich, action-packed western. . . . Lively, entertaining. . . . Simmered in vengeance and shot through with humor.” (Library Journal)

About the Author
Johanna Lindsey is world-renowned for her “mastery of historical romance” (Entertainment Weekly), with more than sixty million copies of her novels sold.  She is the author of fifty-two previous national bestselling novels, many of which reached the #1 spot on the New York Times bestseller list. Lindsey lives in New Hampshire with her family.

Excerpt. © Reprinted by permission. All rights reserved.
One Heart to Win Chapter One


ROSE WARREN STOPPED CRYING before her daughter, Tiffany, opened the front door of their brownstone town house, but she couldn’t get out of her mind the words that had provoked the tears. Come with her, Rose. It’s been fifteen years, haven’t you tortured us long enough?

She usually let her daughter, who had turned eighteen last month, read the letters from Franklin Warren. Frank usually kept them impersonal so she could share them with their daughter. This time he didn’t, and she wadded the letter up in her fist and stuffed it in her pocket as soon as she heard Tiffany’s voice in the hall. The girl didn’t know the real reason her parents didn’t live together. Frank didn’t even know the real reason she’d had to leave him. After all these years, it was best it remain that way.

“Tiffany, join me in the parlor, please!” Rose called out before Tiffany could go upstairs to her room.

The afternoon light glinting in her shiny reddish-blond hair, Tiffany removed her bonnet as she entered the parlor, then the short, thin cape from her shoulders. The weather was too warm now for a coat, yet a lady in New York City still had to be respectably dressed when she left the house.

As Rose gazed at Tiffany, she was once again reminded that her little darling was not so little anymore. Ever since Tiffany had turned eighteen, Rose had said more than one prayer that her daughter would stop growing. She was already well above average height at five feet eight inches and often complained about it. Tiffany got that height from her father, Franklin, and got his emerald green eyes, too, she just didn’t know it. She got fine bones from Rose and delicate features that made her more than pretty, but she’d only partially gotten Rose’s red hair; Tiffany’s was more a coppery hue.

“I’ve had a letter from your father.”

No response.

Tiffany used to get so excited over one of Frank’s letters, but that had been so long ago—about the time she’d stopped asking when he would visit.

It broke Rose’s heart to see the indifferent attitude her daughter had adopted toward her father. She knew Tiffany had no memories of him. She’d been too young when she and Rose had left Nashart, Montana. Rose knew she should have let them meet over the years. Frank had been magnanimous in sending the boys to her, though she was sure he had done it to make her feel guilty for not reciprocating and allowing their daughter to visit him. She’d been too afraid Frank wouldn’t let Tiffany return home to her. It wasn’t a groundless fear, it was her worst nightmare. In his rage he’d threatened to keep their daughter. He’d threatened so many things to try to make his family whole again. And she couldn’t even blame him for that effort! But it wasn’t going to happen, it couldn’t. And now she was going to face her greatest fear: that once Tiffany got to Montana, Rose would never again see her.

She should have insisted that Tiffany’s fiancé come to New York to court her. But that would have been the last straw for Frank. He’d honored Rose’s wishes for fifteen years and stayed away, but this was the year she’d promised him Tiffany would live under his roof again. Rose couldn’t, in good conscience, keep them apart any longer.

Tiffany stopped in front of her and held out her hand for the letter. Rose directed her to the sofa instead. “Sit down.”

Tiffany raised her brow at being denied the letter, but took the seat across from Rose. The room was large. The town house was large. Rose’s parents had come from old-world wealth, all of which was hers now. When Rose had returned from Montana Territory with her three-year-old daughter, she’d found her mother recuperating from a series of illnesses that had left her an invalid during the five years Rose had been away. Rose’s mother had only lasted four more years, but at least Tiffany had gotten to know her grandmother.

That had been a painful time in Rose’s life. She’d had to give up her husband, give up her three sons, then she’d lost her only remaining parent. But at least she’d had Tiffany. She would probably have gone mad with grief if she’d had to give up Tiffany, too. But now the day for that had come as well. . . .

“Is it time for the Talk again?” Tiffany asked in a bored tone.

“You’ve gotten sassy since you turned eighteen,” Rose noted.

“If that’s what you want to call this resentment that’s been eating away at me, fine. Sassy it is.”

“Tiffany—”

“I won’t go to Montana, Mama. I don’t care if it means bloodshed. I don’t care if it means I won’t ever see my brothers again. I refuse to marry someone I’ve never met.” Tiffany crossed her arms over her chest and jutted out her chin defiantly. “There, I’ve finally said it and I’m not changing my mind.”

“I quite agree.”

Tiffany’s eyes widened before she squealed in relief. “Thank you! You can’t imagine how miserable I’ve been over the prospect—”

“You should let me finish. I agree you’re not going to marry a man you’ve never met. You’re going to go to Montana to meet him. You will have several months to get to know him. At the end of that time if you have no liking for him, then, yes, you can end this engagement and come back to New York before the weather turns bad. I give you my word on that, Tiffany.”

“Why did you never tell me I would have a choice about this marriage you and my father arranged for me when I was just a baby?”

“Because I hoped you would honor this commitment I made for you of your own volition. I wanted you to grow accustomed to the idea, hoped you might even be looking forward to it by now.”

“But Montana isn’t even civilized yet!”

“Can we have this conversation without the shouting, please?” Then Rose added with a slight grin, “The Territory of Montana is not as uncivilized as you think. I thought your brothers convinced you of that. And it’s some of the most beautiful country I’ve ever seen. You might actually like it there.”

“I like it here, where I’ve grown up, where my friends live, where you live,” Tiffany mumbled, then said louder, “where men don’t wear guns on their hips because there’s always something that needs shooting, including people. How could you even agree to this arrangement in the first place, Mama?”

“I’m the one who suggested it.” She’d never told her daughter that before, and looking at Tiffany’s widely rounded emerald eyes now, she wished she’d been able to explain some other way. But there was no other way.

“So you’re the one throwing me to the wolves?”

“Oh, good grief, Tiff, don’t be so melodramatic. It was the only thing I could think of to end the feud between the Callahans and the Warrens. That strip of land with the water on it between the two properties isn’t even what started it, but both sides are using it to keep the feud alive, both claiming it’s theirs. I’ve never seen such pigheadedness, on both sides. Anytime they got near that water at the same time, shots were fired. If any cows wandered across it, they weren’t given back, which caused more shooting. Giving it to you and Hunter Callahan as part of your marriage agreement will end the contention over it.”

“So you took it upon yourself to end a feud you didn’t start by sacrificing your only daughter?”

Rose made a sound of exasperation. “For your information, young lady, Zachary Callahan is one of the most handsome men I’ve ever met. I had no doubt that his young sons would grow up to be just as handsome, considering the pretty wife he married. I didn’t think I was sacrificing you at all, I was quite sure you’d be thrilled with a Callahan for a husband. But then as an outsider, I saw things differently. The ranchers were aggressive, even possessive, yes, but I don’t think that was unique to the area. Frank and Zachary were just two strong-willed men who weren’t willing to concede an inch. Bad history started it, and that water on the border between the two ranches wouldn’t let it end. Personally, I don’t think the Callahans are bad people. Zachary might be a competitive, ornery cattleman, but he has a reputation of being a devoted husband and a good father, which says a lot for a family.”

“It wasn’t up to you to end the feud, Mama. Why did you even try?”

She wasn’t going to burden Tiffany with the horrors she’d lived through back then. Shots were fired so often she was afraid one of her children was going to catch the next bullet. Then a simple idea had occurred to her: to end that feud through marriage. When she’d first brought up the idea to Frank, she didn’t know that she and Tiffany wouldn’t remain in Montana. She’d imagined Tiffany and Hunter growing up together, being friends first, then falling in love naturally . . .

She tried to explain in simpler terms. “I hated that feud, but, yes, I tried to ignore it, until the night your father was carried home half-dead. It wasn’t a Callahan that shot him, but one of the Callahans’ hired hands. A funny thing about the West: employees take sides, too, and some of them don’t follow orders too well. But regardless, your father came close to dying, and I was so desperate to put an end to the bloodshed that I’d try anything. And the betrothal did exactly that. There’s been a truce ever since. Your brothers got to grow up without having bullets flying at them every time they went out on the range.”

Rose waited breathlessly for Tiffany’s response. What she’d told her daughter wasn’t all a lie, only partial truths. But it was exactly what they’d all thought when Frank had been shot. But the shooter didn’t work for the Callahans. He had another employer, one much more ruthless, who was pulling his strings. When she found that out and learned she couldn’t put the blame where it belonged, she did the only thing she could think of to stop Frank from retaliating once he recovered: she brought up the idea of a truce through marriage again, a sure means of ending that deplorable feud for good, and insisted on it this time.

She was the only one who knew what really happened that night and why. It had to remain that way. But Tiffany’s accepting an arranged marriage could really be the salvation of two neighboring families that were too stubborn to agree to share water rights instead of fighting over them. But Rose wouldn’t force her daughter to solve a generations-old problem. She could only ask her daughter to give Montana and Hunter Callahan a chance.

Thankfully, Tiffany’s expression turned a little curious. “So what happens if I do call the marriage off? They’re back to trying to kill each other?”

Rose cringed. “I don’t know. I’m hoping these fifteen years of getting along has made them realize they never should have carried on a fight their grandparents started that has nothing to do with them.”

“What did start it?”

“I’m not even sure. Something about a wedding that turned into a shooting instead.”

“You mean the two families were supposed to have been joined through marriage two generations ago?”

“Apparently.”

“That doesn’t portend well for your idea of trying it again,” Tiffany pointed out. “In fact, a marriage between the two families is more likely fated to never happen.”

Rose gave her daughter a stern look. “It won’t happen with that attitude. Will you at least meet this man without prejudice? Give him a chance, Tiffany. He could make you very happy.”

Tiffany mulled that over for a few moments before she allowed, “Now that I know I don’t have to marry him if I don’t want to, I suppose I can try and look at this from a new perspective—as a two-month summer holiday in a different part of the country. When are we leaving?”

“I’m not going—well, not all the way. I’ll accompany you as far as Chicago and stay there to await the outcome of your courtship.”

Tiffany’s shoulders slumped with that news. “Why bother, if you’re not going all the way?”

“Because I want to be relatively close by in case you need me, and with the rail lines connecting all the way to Nashart now, Chicago is pretty darn close. Anna will be going with you, of course. And I’ve arranged for a retired US marshal to meet us in Chicago to escort you on the last leg of the journey, right to your father’s door.”

Rose was going to start crying in a moment if Tiffany didn’t stop looking so sad about this impending separation. “You aren’t even a little excited about this trip?” she asked hopefully.

“No,” Tiffany replied tonelessly as she stood up to leave the room.

“About seeing your father again?”

“Again?!” Tiffany swung around with a snarl. “I don’t remember him, and you and he made sure I’d have no memories of him. So I’ll be honest, Mama. If I could get this over with without laying eyes on Franklin Warren, I would.”

“Tiffany!”

“I’m not kidding, and don’t give me all those excuses about why I’ve grown up without a father. If he’d really wanted to see me, he would have found a way. But he didn’t. And as far as I’m concerned, now it’s too late.”

Rose saw the angry tears welling in Tiffany’s eyes before Tiffany bolted out of the parlor. God, what had she done to the people she loved the most?

Most helpful customer reviews

60 of 63 people found the following review helpful.
Sadly disappointing...
By Jessica
I too, am a fan of Johanna Lindsey and have noticed these past few years that the books being written have not been up to par with the earlier books. I have stopped rushing to buy the books on the first day released and this book was no exception. Except that I chose to read the reviews on it which gave me hope that this book was going to be at least better than the past ones so I went ahead and bought it.
Possible SPOILERS:
Unfortunately, I disagree with the reviews that claim this book has a better storyline. This book COULD have had a better storyline. The ground work was all set up for it to be great. But the book felt completely rushed and had a lot of plot holes in the storyline. First off, you have this assassin who is so amazing that he's never failed and he teaches Alana to think like one but they never considered that she would be doubted as the princess?? Especially when she was without proof? They also gave her all this training to defend herself...for nothing. Maybe this is just me, but I really did not like Alana, who I thought had the mindset of an adolescent girl. The falling in love was too rushed...just a couple of days. The big reveal at the end was almost comical just for the fact that they accused the person, one person said "Couldn't be!" and then the accused admits and explains why. Like it's that easy to get a confession.
And the most annoying part of the whole book is when Alana is finally introduced to the king and they finally know that she is his daughter...that within a day he's already selected a groom for her to marry and she meekly accepts it like the dutiful daughter?! That's ridiculous. And this is after he knows she's slept with the captain of his guard whom he trusts above all other people, especially to take care of his own daughter. That she might actually be carrying Christoph's baby. But instead of saying she should go ahead and marry him...no, give her to the other guy before she shows if she is pregnant, even though it most likely is one of his family trying to kill her. And then after the "big ending" the king is basically like how could he be so blind to see that Alana and Christoph are in love with each other and of course they will be married now...that there is no one he trust more to take care of his daughter.

Basically, I dislike this book above all others previously written. If you are like me and have to read the book because it's by Johanna Lindsey, at least wait until it's in paper back.

73 of 79 people found the following review helpful.
Boring
By Amazon Customer
I usually measure how much I enjoy a book by how eager I am to finish them. If I am tired all week from reading into all hours of the night when I should be sleeping I know I've found a book that is worthy of the title of excellent. This book does not fall into that category since I basically had to force myself to finish it. If I had paid full cover price I might have been more upset but I can't seem to control myself from buying Lindsey's books right off of the press. Not unlike her last books I found it to be a boring and unoriginal plot. If you're a fan of the Malory books this does contain previous characters but since it is nothing compared to the exciting plots of her previous works you'd really have to be a borderline Malory stalker to gain any enjoyment out of this one.

Betrothed from young ages Richard and Julia are hard pressed to accept their engagement. Growing up hating his father Richard will do anything to try and thwart any plans his father has for him. Julia is a stubborn, willful child that always finds her violent side whenever she is around Richard. At seventeen Richard runs away from home and becomes a pirate and Julia is forced to wait for him to either marry her or find a way to get out of a marriage she doesn't want.

Nine years later Richard appears back in town following her best friend Gabrielle and her husband Drew (from previous book Captive of My Desires) to chase after a woman he is insistent his has fallen in love with, Georgina Malory (from Gentle Rogue). Using a false identity he meets Julia again and not knowing who she is he begins a seduction of her. Coincidentally Julia has decided to have Richard declared dead so she can move on with her life and find a new man to marry. They meet at a masked ball and Julia finds herself becoming intrigued by Richard's seductive ways.

What follows is pretty formulaic, they discover who each other is but find they cannot fight their inner attractions or anger towards one another. Obstacles are placed in the way of their courtship but it becomes pretty easy to predict the final outcome and the path that is taken to reach it.

Lindsey has lost her initial spark that made me want to read her books in one sitting. I didn't particularly like either of the two main characters and their eventual fall into love didn't seem real to me. The characters didn't even like each other a little bit but they were falling into each others' arms in anger and making love. Boring, cliched and unrealistic are the most appropriate adjectives I can think of to describe this book. If you have to read it wait until you can get a used copy. If you need a Lindsey fix then I would suggest re-reading or reading for the first time her works prior to those written in this century. Classic Lindsey cannot be beaten and I hope some of her books in the future will be as good as her older works.

66 of 72 people found the following review helpful.
Boring and unromantic
By S
One of the first romances I ever read was a JL. My keeper shelf has many of her books, and if I've read A Gentle Rogue once, I've read it fifty times, at least. But this new book, One Heart to Win, isn't a keeper for me. I skimmed a lot, and I mean a lot. I was bored and restless, very disinterested, and I almost decided to DNF it, but I hate to do that with a book. So I plodded along, and that's honestly what it felt like. There's no real excitement, no real action, no real romance. On finishing the book, I ended it without feeling any love for or about this couple.

I have no strong connection to Tiffany, who is really a blah heroine to me, nor do I feel I actually know or love the hero, Hunter, all that much either. He barely stands out in the story. He's really hardly there. For me, both h/H are missing depth and boldness and vibrancy. Where's the romance? Where's that quick dialogue and interaction showing and not telling me they have a connection with each other? I felt no connection to either Tiffany or Hunter, and I felt no chemistry or true passion between them. Not enough time is spent with them actually being together. I wanted more time together, more intimacy. Not necessarily more sex, but more intimacy. As for the sex/love scenes, they were very lacking. Just quick, vague and without any heart.

I wasn't that interested in the overall storyline and the whole reason for Tiffany's parents' separation. Really boring. And Tiffany's impersonation could have been more fun and interesting than it was. This story could have been amped up a lot more than it was. But really, the most disappointing thing about this book is the actual romance itself. I did not feel it. No genuine feeling of love or need; I had no feeling of urgency to see this couple kiss, or make love, or just look at each other and go to that deep place of forever. For me, there was no passion, no romance, and no investment. A big disappointment.

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