Jumat, 25 Maret 2016

** Ebook Download Card Manipulations (Dover Magic Books), by Jean Hugard

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Card Manipulations (Dover Magic Books), by Jean Hugard

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Card Manipulations (Dover Magic Books), by Jean Hugard

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Card Manipulations (Dover Magic Books), by Jean Hugard

To the magician and to most audiences, card manipulations are the most fascinating type of card trick. Since the manipulator's skill is the only determining factor, once a degree of card dexterity is acquired the performer can go on to learn tricks sure to entertain, at any time, with no further preparation, using any available deck of cards for the performance. In this five-book series, Jean Hugard, master performer on stage and with small groups, teaches the passes, palming methods, shuffles, arm spreads, color reverses, sleights, flourishes, set-ups, and tricks in the best professional versions. After showing the basic manipulations, he develops a number of exceptional tricks where the manipulations are used. A number of illustrations and step-by-step explanations teach each detail as the trick would be given in a performance. By working through these tricks, from the simple to the complex, the magician learns his skills in a professional manner and also gains a wide repertoire of specific tricks. Throughout the book a great number of manipulations and over a hundred tricks are explained.
The keys to these tricks are not well known outside professional magicians' groups. But to the advanced beginner or semiprofessional who has some degree of card skill, the manipulations and tricks developed in this book will add to the dexterity of the performance, give hours of rigorous skill-developing practice, and help build a professional, well-rounded repertoire with cards.
"Recommended." — Linking Ring.

  • Sales Rank: #812185 in eBooks
  • Published on: 2012-04-30
  • Released on: 2012-04-30
  • Format: Kindle eBook

From the Back Cover
To the magician and to most audiences, card manipulations are the most fascinating type of card trick. Since the manipulator's skill is the only determining factor, once a degree of card dexterity is acquired the performer can go on to learn tricks sure to entertain, at any time, with no further preparation, using any available deck of cards for the performance.In this five-book series, Jean Hugard, master performer on stage and with small groups, teaches the passes, palming methods, shuffles, arm spreads, color reverses, sleights, flourishes, set-ups, and tricks in the best professional versions. After showing the basic manipulations, he develops a number of exceptional tricks where the manipulations are used. A number of illustrations and step-by-step explanations teach each detail as the trick would be given in a performance. By working through these tricks, from the simple to the complex, the magician learns his skills in a professional manner and also gains a wide repertoire of specific tricks. Throughout the book a great number of manipulations and over a hundred tricks are explained.
The keys to these tricks are not well known outside professional magicians' groups. But to the advanced beginner or semiprofessional who has some degree of card skill, the manipulations and tricks developed in this book will add to the dexterity of the performance, give hours of rigorous skill-developing practice, and help build a professional, well-rounded repertoire with cards.
Unabridged, slightly altered, republication of the original (1934–36) series.

Most helpful customer reviews

34 of 34 people found the following review helpful.
Nobody will play cards with you again after this!
By A Customer
This book remains a classic for obvious reason. In it, you learn how to make cards appear and disappear from your empty hand, how to make some of the most beautiful card fans ever conceived, and how to manipulate cards in ways most folks would never imagine. There are also several tricks in this book that use the manipulation principles involved. This book is for die-hard cardicians, but those interested in fooling their friends may find something here also

10 of 10 people found the following review helpful.
Great tricks for those willing to practice
By Walter Reade
This book is a wonderful resource for those wanting to improve their sleight of hand, and contains over 165 card tricks and stunts. While the book starts with the basics, understand that the basics can be very challenging to master! Many of the tricks will require serious practice to make them polished enough to perform. The text of this book can be somewhat dense, and require a few readings to get the gist of what is being said. And while there are some difficult tricks to perform, there are a number of things the absolute beginner can pick up rather quickly.

6 of 8 people found the following review helpful.
A great book, unfortunately quite dated.
By A Customer
This is a great book. A lot of the things in this book have inspired a lot of ideas and variations. However, this book suffers from a major flaw: many of the techniques in this book are out of date, and many of the tricks would not be as powerful for today's audiences.

See all 8 customer reviews...

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Kamis, 24 Maret 2016

~~ Ebook Free Magick of Reiki: Focused Energy for Healing, Ritual, & Spiritual Development, by Christopher Penczak

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Magick of Reiki: Focused Energy for Healing, Ritual, & Spiritual Development, by Christopher Penczak

Magick of Reiki: Focused Energy for Healing, Ritual, & Spiritual Development, by Christopher Penczak



Magick of Reiki: Focused Energy for Healing, Ritual, & Spiritual Development, by Christopher Penczak

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Magick of Reiki: Focused Energy for Healing, Ritual, & Spiritual Development, by Christopher Penczak

What is Reiki? How has this Japanese healing tradition evolved over the years? How are modern magick practitioners using Reiki energy in their spells and rituals?

Christopher Penczak answers these questions and more in his groundbreaking examination of Reiki from a magickal perspective. The history, mythos, variations, and three degrees of Reiki are discussed in depth. Penczak also suggests way to integrate Reiki and magickal practice, such as using Reiki energy for psychic development and with candle magick, crystals, herbs, charms, and talismans.

2005 Coalition of Visionary Resources (COVR) Winner for Best Alternative Health Book!

  • Sales Rank: #562691 in eBooks
  • Published on: 2012-11-01
  • Released on: 2012-11-01
  • Format: Kindle eBook

About the Author

Christopher Penczak is an award-winning author, teacher, and healing practitioner. He has studied extensively with witches, mystics, shamans, and healers in a variety of traditions from around the world to synthesize his own practice of magick and healing.

Formerly based in the music industry, Christopher was empowered by his spiritual experiences to live a magickal life, and began a full-time practice of teaching, writing, and seeing clients. He is the author of the award-winning Temple of Witchcraft series: The Inner Temple of Witchcraft, The Outer Temple of Witchcraft, The Temple of Shamanic Witchcraft, and The Living Temple of Witchcraft Volumes 1 and 2.

His other books include City Magick (Red Wheel/Weiser), Spirit Allies (Red Wheel/Weiser), Gay Witchcraft (Red Wheel/Weiser), Magick of Reiki, Sons of the Goddess, Ascension Magick, Instant Magick, The Mystic Foundation, The Witch's Shield, The Witch's Coin, and the forthcoming The Witch's Heart. Christopher Penczak resides in New Hampshire. Visit him online at http://www.christopherpenczak.com.

Excerpt. © Reprinted by permission. All rights reserved.
Magick and Reiki
This is not a traditional Reiki book. Although you'll find much of the basic information about what Reiki is as a healing art, including history, hand positions, and the like, you won't find a conservative view of the art of Reiki. Magick of Reiki is an exploration of the many systems of healing now called Reiki, viewed as a magickal tradition. Most people in the traditional Reiki community would not consider Reiki a form of magick. Most practitioners of true magick would not consider Reiki a relation to their craft. I have used both in my practice, and find them incredibly healing, valuable, and spiritual. To me, they are facets of the same force, simply using a different mechanism, and the mechanisms themselves are not that different when closely examined. As I explore both communities, there is far more crossover between the two than most believe, but no one is talking about the similarities between Reiki and magick. So now we begin a dialogue that many may find controversial. Now we bring together two worlds that have always overlapped.
Through this work, we'll explore many aspects of Reiki, and give applications of its use for the traditional Reiki practitioner as well as those involved in the magickal arts. If both topics are new to you, this book will give you a simple, firm understanding of both arts and how they relate to each other. Magick of Reiki is not a Reiki teaching manual for the average Reiki class, but it could be used as a manual by those teachers discussing these complementary topics along with the traditional Reiki material, or by those with a strong interest or background in metaphysics and magick. Ultimately, this book is a starting point for further discussion and experimentation.
What Is Reiki?
When I first learned Reiki, it was described to me as “universal life force” or “universal energy.” That seemed pretty vague at the time, but the concept behind those lofty words is the fundamental energy that creates and sustains the universe. The ki in “Rei-ki” refers to the energy component. Different cultures recognize life energy and call it by different names. Ki is used in Japan. Chi is another name for basic life energy, also used in the East. The discipline of tai chi is learning how to work with this force. Hindu traditions call it prana. Hawaiian shamans call it mana. Rauch is the Hebrew term for this force. Numen, odic force, and orgone are all variant names. The different cultures have different definitions, interpretations, and cultural associations for it, but basically they are all talking about the same life energy.
This life force is found everywhere and in all things, including people, animals, and plants. It sustains us. The energy is universal, denoted by the rei in “Rei-ki,” not personal. The universal part of the Reiki definition signifies not only that this basic energy is found in everything, universally, but also that as a system of healing, we are drawing upon this energy from the universe, which is limitless and ever abundant, rather than drawing upon our own personal “ki” or that of another person, animal, plant, or object.
Reiki the System versus Reiki the Energy
“But I already do Reiki. I didn't take any classes. I don't need to learn it from anyone.” I hear this statement or something similar from many people, and it causes great debate among many in the Reiki community. The essence of the controversy comes down to a misunderstanding of terms and words. In my magickal training, I learned how important it is to say what you mean, because of the inherent power of words. Unfortunately, for most of us, English can be an imprecise language and is particularly limited when explaining mystical and Eastern concepts. Because our language often lacks the subtlety needed, we must explain things clearly.
When people say the word Reiki, some are referring to the energy of the universal life force, which is ever abundant and available to everyone. We already have some of it flowing through us every day. If we didn't, we wouldn't be alive. We take it in with the air we breathe and the food we eat, and subtly exchange it with the environment around us, including the Earth, Sun, Moon, stars, plants, and animals. There are many mystical ways to access this energy, which some people do intuitively, with little training. Many healing and magickal arts call upon this energy of the universe. Prayer, meditation, ritual, visualization, affirmations, and intent are all methods to connect to it, and they all come with their own techniques, strengths, and drawbacks. I'm sure that many people are already using this universal life force in their own way, even if they have never even heard the word Reiki.
Other people use the word Reiki to refer to a formal system of healing, originally called the Usui System of Natural Healing by its modern founder, Dr. Mikao Usui. This system has a fairly modern history, and practitioners of it have a lineage where they can trace their teachers back to Usui. The system uses specific symbols, hand positions, philosophies, and techniques, and is said to have a great many personal benefits and “safeguards” built into it. Although there are many variations and additions to it, Reiki as a system is a tradition. Without learning the tradition from a qualified teacher, you do not receive the same benefits and safeguards.
People will talk about Reiki as ancient, and the energy itself is ancient. Many people throughout history, known and unknown, have tapped into it. It is a part of life. But as a specific tradition as we know it now, Reiki is fairly modern. Perhaps its modern form is a revival of an ancient system of knowledge, as suggested by many teachers, but we have no definitive proof of this.
When people “already do Reiki” but have not studied the system nor been initiated into the tradition, they are using the energy, but are doing it in a different way than a Reiki practitioner. Sometimes that can be wonderful, and other times less so. Often there is a greater need for intense concentration, and without the safeguards, there is more of a chance that they will use too much or too little energy, or even start taking on the symptoms and illnesses of their clients, particularly if they are strictly intuitive and haven't learned a tradition of healing. Many lack the training and awareness to regulate the energy, while others do it quite beautifully on their own. It is different with each healer. But when one is a part of the tradition of Reiki, one has the ability to regulate the energy and be protected from the client's illnesses and issues.
Medical Reiki and Mystical Reiki
Medical Reiki and mystical Reiki are emerging as the two strongest schools of thought in the healing community today. Some practitioners and teachers are focusing on the medical legitimacy of Reiki in the scientific community. They participate in research projects and lobby for Reiki to be brought into the hospital and doctor's office. They teach it to healthcare practitioners, nurses, and doctors. They lobby insurance companies to cover the costs of Reiki sessions. They see it as a complementary practice to traditional and alternative medicine and seek legitimacy in the way acupuncture, Chinese medicine, Aryuveda, yoga, and some aspects of herbalism have been accepted by modern medicine. I agree that Reiki is a wonderful complement to modern medicine. It works. If it didn't, I wouldn't be using it. But some people feel the need to take out all this “mumbo jumbo” in the Reiki community and divorce it from talk about spirituality, enlightenment, spirit guides, angels, and magick. I disagree with this approach.
I can completely understand the desire to remove less mainstream ideas from Reiki when presenting it to the medical community, but Reiki as a system of healing from Japan was born out of concepts of Buddhism, a spiritual path. Although a lot of non-Buddhist philosophies have been grafted to it, the concepts behind it are essentially spiritual healing, not medical healing. For many, Reiki is not a religion, it is their spiritual path. It is the path of exploration. Reiki is a path of the mystic. And I hope in the search for legitimacy in the “straight” world that it never loses its mystical roots. Magick of Reiki is an effort, in light of the scientific studies now available on Reiki, to show that the foundation of many mystical traditions can be found in Reiki.
What Is Magick?
Magick is a word that evokes many reactions. For some, it evokes a sense of childhood mystery, from timeless stories and fairy tales. It conjures a belief in the endless possibilities of an innocent wish. Most think of it as make-believe or fantasy, or associate it with sleight-of-hand stage illusions. Practitioners of the spiritual art of magick use a k at the end to differentiate it from stage magic. I've even seen some spell it as magik or majik. But to many, the very thought of magick as a reality is a fearful prospect, drawing images of evil witches and wizards casting curses and creating harm with the wave of a hand. The remnants of magick have become our jumbled superstitions. The very concept of magick has been misunderstood for centuries by the modern culture, but it is making a resurgence in the world as we look to the ancient wisdom of the past. All ancient cultures had some form of magick as a part of their society and spiritual path.
Ultimately, magick is the power of intention. Through the use of intention, we create a change in our reality. Some magick affects our inner reality, and goes unseen by most. Other acts of magick affect the outer reality, and make things happen, although these events are most often chalked up to coincidence. You do magick to get a new job, and suddenly you get a call back for an interview and the job turns out to be perfect for you. Magick or coincidence? I was inclined to believe it was a coincidence when I started, but after repeated personal experiences involving many bizarre coincidences, I have found that there is something very real about magick. You send your intent throughout the universe, and those who can help respond to it.
Magick often takes a more ordinary approach to reach us, because that is easiest. Nature seeks to conserve energy. Water flows down mountains, not up. Magick flows down to us via the easiest path possible. We must still follow up with some real-world action. We won't get that job if we don't send our résumé and go on interviews. We must open the doors to magick. We must create that change internally, and be open to the energy, as we open to change externally. To the magickal practitioner, there is little difference between the inner reality and the outer reality. They are simply different viewpoints. To make a change in one, you must make a change in the other.
In a formal magickal tradition, practitioners focus their intention and will to create a change through the acts of ritual. Each ritual is used to create a “spell” or a specific act of magick. Rituals vary from tradition to tradition, but this type of magick is found in many different cultures.
These magickal rituals can be found in the traditions of witchcraft throughout the centuries as well as the modern revival of witchcraft and paganism. But they are also found in early forms of Jewish, Christian, and Muslim mysticism. A tradition of magick called ceremonial magick blends aspects of Judeo-Christian mysticism with philosophies from the ancient pagan civilizations, particularly Greece and Egypt. Practitioners of ceremonial magick are called magicians or mages. Rituals are also found in the shamanic cultures, among the medicine men and women of existing tribal cultures. Although they might use the word medicine instead of spell or magick, in essence they are practicing magick. A rain dance, healing song, or blessing for protection are all forms of magick.
Some spells in the form of specific acts, words, or formulas are passed on from one practitioner to another. Certain spells use very simple words and gestures, and household items. Many spells use herbs, talismans, and symbols to focus and evoke the power. They can be complicated or simple, depending on the practitioner. But the heart of magick is creating a connection to the universe, to the divine, however you envision it, and then through that connection, focusing your intention to create a change.
We all do magick all the time. We don't call it magick, but if we live with intention, any intention at all, we are doing magick. Certain forms of magick have been popularized in our modern culture and are considered somewhat respectable. Creative visualization is a form of magick. Most magickal traditions teach visualization in detail not only to help you master your mind and thoughts, but also to help you create magick.
We also call magick “the power of positive thinking.” Affirmations are a form of magick. The power of our thoughts and words is a basic component of spells. Most people think that their words are powerless, but good magickal practitioners always watch what they say and think because words have power. Even if you aren't doing a formal ritual, if there is enough emotion, intent, and energy behind your thoughts or words, the universe will respond by creating a change within you. So be careful what you wish for, because you might just get it, even if you didn't really mean it.
Prayer is another form of magick. Certain people pray in a give-and-take fashion: “God, if you give me this, I will give up that.” That isn't really magick, and doesn't often work. Others will ask for things, but focus so hard on their lack of what they want, or feel so unworthy to receive anything, that they don't have any energy behind their intent. Then there are those people who pray in a confident manner, feel connected to their source through unconditional love, knowing that the divine is abundant, and believe that if it is for the highest good, their prayer will be answered. And it is. They are doing magick.
Ultimately, magick is partnering with the universe to create change. Some people call it co-creating, and that's a good name. It's a blend of your will and intent, and the universe's will, or divine will. According to magickal philosophies, what you do comes back to you stronger. That is the heart of magick. It's not a moral or religious judgment, but simply a mechanism of energy. When you put out an intention, it returns to you.
Magickal power is neither good nor evil. It is simply energy. Performing magick is manipulating this energy through the power of your intention. According to the ethics of magick in its various forms, you send out only what you would want to receive, so you do no harm to others, because you would want no harm done to you. This is a variation of the Golden Rule: “Do unto others as you would have them do unto you.” In witchcraft, it is called the Wiccan Rede: “An it harm none, do what ye Will.” People talk about “white” magick and “black” magick, but most practitioners do not use those words. If they do, they are “dumbing it down” and explaining it in simplistic terms to those who don't want to see the complexity of intention and thought. Magick is like electricity, without moral value. It can be used to light a room or to electrocute, depending on the intent. Magick is a part of everyone and everything, like the universal life force. To me, magick is the universal life force. It is divinity in motion.
In the end, whether we are engaged in ritual, prayer, or even day-to-day action, every thought, every word, and every deed is an act of magick. Our whole life is a prayer. Our whole life is magick. Those who understand this take responsibility for their thoughts, words, and deeds because they know the power and responsibility we all have in creating reality. Everything we do affects everything else. We are all connected in the magickal web of life.
The Intersection of Reiki and Magick
Most people would assume that there is little common ground between magick and Reiki. Magick is most strongly associated with the occult and with the Western mystery traditions. The word occult simply means “hidden” and comes from the word ocular, referring to the eye. Occult subjects are those not seen, or studied, by everyone. They are obscure, and usually hidden by mystery and symbolism. Reiki comes to the world from Japan, rooted in the Eastern traditions and philosophies. On the surface, there seems to be a great division between Eastern and Western knowledge, and truly, there are many differences. But essentially they can be looked at as two different paths up the same mountain.
Magick is strongly associated with the use of magickal symbols and alphabets. Even the word spell denotes the power of the written word, when intentions are spelled out in letters and words. Magickal alphabets, symbols of power and creation, are found in many traditions. From Egyptian hieroglyphics and ancient Hebrew and Greek, to the Norse runes, Celtic ogham, and the script of the alchemists, symbols carry not only meaning, but also power inherent in their name and shape.
In Reiki, as one continues on to the second level of traditional training, the student is taught three practitioner symbols used to enhance and facilitate the practice of healing. Even though Reiki is said to be guided by the higher intelligence, and we have no control or attachment to the outcome, we do have intent when using a symbol, since we pick the symbol we are using, intuitively or logically, based on the intention behind the symbol. The first symbol is used to increase power, the second symbol is used for healing on the mental and emotional levels, and the third symbol is used for distance healing. The use of Reiki symbols in healing, by either visually drawing them or chanting their name, is like using magickal symbols and words of power.
The tradition of Reiki is passed on not only through oral or written material to be learned by the student, but most importantly through something called an attunement. Initiation is another word for attunement. The Reiki Master, or Reiki teacher, creates an energetic connection to the student, through intention and symbol, to pass on the ability to effortlessly and safely tap into the universal life force. Side effects of the attunement can be physical, mental, emotional, or spiritual cleansing and purging, awakening of intuitive or psychic abilities, and a greater awareness of spirituality and the call to higher service. This creates a spiritual family or lineage of teachers and students who are all connected and can ultimately be traced back to the modern founder of Reiki, Dr. Usui. If the teacher is not attuned already, then the connection cannot be passed on to the student. In very traditional Reiki, the sacredness of the symbols is maintained by keeping them secret from the unattuned, and the ritual of attunement is kept secret, even from lower initiates. I remember asking my Reiki Masters, after my first attunement, what exactly had happened. How did they “attune” me? They would not tell me. They didn't mention symbols or anything else. It was only thanks to my more open and modern Reiki Two teacher that I understood the mechanism of attunement.
In many magickal traditions, a key component to the experience is an awakening through initiation. Through this initiation, the teacher awakens the students to the energy the teacher holds from his or her own attunement in the tradition. Initiates report an awakening of their third eye to psychic vision and increased spiritual awareness, or a strengthening of their magickal abilities to both manifest and receive information. Many feel a stronger connection to the divine, often through a particular patron goddess or god.
Through the initiation, the student is connected to the spiritual “family” of the tradition, a magickal lineage that can be traced back to the modern founders. In the tradition of Wicca called Gardnerian Wicca, initiates can trace their lineage back to Gerald Gardner. Not only do practitioners of magickal traditions often keep their lineage a secret to the uninitiated, but the rites, symbols, and rituals of the order are also shrouded in mystery.
Initiation, awakening, spiritual lineage, symbols, energy, and secrecy are all common points in the history of magick and Reiki. Both are seen as esoteric or mystical arts that are not easily understood by the general public. Most people in the general public have no interest in these topics. Those who are seekers find the arts of magick and Reiki. Neither art is a religion in the strictest definition of the word, but both have religious aspects to them, having roots in religions. Both are mystical paths that anyone from almost any religion can practice, if they are open to the mystical path of personal experience.
Reiki and magick differ in their approach to creating change. In most traditions of magick, you form an intention and reflect upon it. You reflect to make sure that you truly desire the potential outcome. You reflect to make sure that this outcome is for the highest good, harming none. Ideally, you reflect on the effects and repercussions of magick. Then you send the energy of that specific intention out to the universe through magickal ritual. You release the intention and assume that if it is for the highest good, then the magick will work. You can follow up the magick with real-world action to open the doors to the results of your magick, but you must fully release your intention. By releasing your attachment to the result of your intention, you send the energy out to manifest the intention. If you don't release it, you will constantly pull back the energy you sent out, and it will never manifest. When the energy does return to you, as all things return to their source energetically stronger than when they left, it will return as a manifestation rather than an intention.
Reiki, on the other hand, focuses much less on outcome. The practitioner is unattached to the outcome, and simply offers Reiki energy to the recipient for his or her highest good. The recipient uses the energy to heal according to his or her own divine wisdom. Reiki is said to be regulated by the divine intelligence, the universal intelligence of this life force energy, which knows infinitely more than our conscious ego selves how to work. We simply offer ourselves as vessels through which the energy flows, and it works as needed.
Reiki energy flows where it is needed. If a practitioner's hands are on you and you need Reiki for the highest good, the energy will flow. If the practitioner is touching your chest, but you really need the energy in your toes, it will flow to your toes. If you come in for a backache, but the energy serves the highest good by going to your emotional body to help heal an unresolved childhood trauma, it will go there. There is no controlling or predicting the results of Reiki. Practitioners release attachment to the outcome. The recipient and practitioner may have a specific intention in mind before the session, and that may set the tone for the session, but there is no guarantee of the results. Reiki energy goes where commanded by one's higher intelligence in concert with the universal life force.
Magick originally evolved out of the desire to heal and meet the needs of the tribe. Traditions of hands-on healing can be found in many ancient and modern magickal and shamanic cultures. The practice was so widespread that it found its way into the teachings of Jesus and early Christianity. In Celtic traditions, people gifted with the ability to heal through touch are said to have the “faery touch” or “faery hands.” Reiki's primary way of directing energy is through touch, and practitioners are known for the heat and energy that radiates from their hands.
Reiki and magick have much in common, particularly in regard to letting go. Western esoteric traditions aren't all that different from Eastern mysticism. In magick, one seeks to consciously partner with the divine. The contemplation, reflection, and intention of the “highest good” are to align with what magicians call divine will. When Wiccans and magicians say “Do what ye Will,” they mean do your higher will, what the divine self wants and not necessarily what the ego wants. When the conscious mind is aligned with the divine will, magick can do anything. But there must be that alignment. If our intention is not aligned with the divine, we ask that it not come true.
In Reiki, there is not as great a need to have a specific intention. Ideally, there is no focus on the outcome. There is usually an intention, conscious or unconscious, but it's not the primary focus. In magick, the tradition involves becoming consciously aware of your desires, needs, and intentions. Both Reiki and magick are paths to awareness and openness to the divine. Both are paths of healing and wholeness. They don't need to be mutually exclusive in our lives, just as we don't have to focus strictly on left-brain or right-brain talents, or on male or female traits. We are an amalgam of both approaches to life, as found in Reiki and Western magick, and those on the balanced path will see the wisdom in both approaches.

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36 of 36 people found the following review helpful.
An excellent addition to magickal libraries
By Midwest Book Review
Reiki is an ancient practice of acknowledging and working with the universal life force to promote physical healing and spiritual exploration. Experienced Wiccan author and teacher Christopher Penczak pre-sents Magick Of Reiki, an in-depth exploration of the history, mythos, variations, and degrees of Reiki, as well as tips, tricks, and techniques for seamlessly integrating Reiki into magickal practice, psychic development, talisman empowerment, and more. Though many traditional Reiki practitioners would not consider it a magickal art, those who follow the path of magick can only imbue greater strength in their work by drawing upon the nigh-limitless energy of all surrounding life. Clear symbols and diagrams, with explicit instructions in how to draw them exactly as they have been used for countless centuries, enhance the straightforward text that walks the reader through basic, intermediate, and some advanced techniques that channel Reiki to one's advantage. An excellent addition to magickal libraries and Metaphysical Studies supplemental reading lists.

34 of 35 people found the following review helpful.
A MUST for anyone interested in alternative healing
By Bonnie Neely
The Magick of Reiki by Christopher Penczak is a wonderful book for people interested in alternative healing. The author is skilled in the Magick, which he describes as "partnering with the universe to create change" and details ways it is used, called by other terms, in all the great world religions. Penczak is also a deeply spiritual person whose skills as a Master of Reiki are well-known. In this book he shows the novice who is serious about learning the art and faith of laying on of hands for healing purposes, how to learn the skills and disciplines required. Christopher is both a practitioner and teacher of reiki and draws from his many years of experiences of healing in both this field and magick. His methods go back to the beginning of reiki healing as taught in Japan, and he details not only the disciplines but also the secret symbols that must be learned. With many examples of healing and demonstrating great faith and humility, he teaches in the simplest terms so that anyone dedicated to the practice can learn how to become the empty vessel through which God works for healing beyond anything understood by science. The book is excellent!

24 of 26 people found the following review helpful.
Double Wow!!
By Brooke Hynch
Having broken my back and been exposed to Reiki only this year (2005) - wow what a eye-opener my year has been. Through the awesome power of reiki I returned to work (albeit at part-time)in just over 3 weeks having crushed one vertebrae and broken 4 others, within 8 weeks I was full-time again. I went from 7.5 Codalgan a day to only 1 in just 3 treatments (2 weeks). So with everything that I experienced during my healing I have been dissappointed by traditional reiki books no matter which lineage it follows because there was always something missing, those extra things that happen to you during a reiki treatment, jugs full of water dripping slowly onto your back, 5 or 6 sets of hands placed on you at once when only one physical being is in the room with you, the overwhelming urge to giggle when a certain spirit puts their hands on your body, bubbling explosions, rippling nerves and muscle tissue, "tens machine" treatments, "remobilization treatments" and treatments which last for hours after the healer has left the building, waking up in the middle of the night with someone's hands on you, being poked or proded in the night and much, much more. All these types of responses are given a good hearing in the Magick of Reiki. Christopher summarises all of the different types of lineage, the symbols that the different practioners use the stuff that happens that shifts your healing "beyond an energy experience" and gives you the key to enter the realm of "magick". Since February I have been experiencing and developing my "magick" and I didn't even realise it!!! Christopher describes how he blends the many different styles of reiki to best suit his own experience and healing style and promotes his readers to do the same. I think this would be a great book for anyone wanting to try out some modern reiki traditions - there are after all 14 of them now!! Christopher helps us to tip toe through the maze with his usual love and light...thumbs up for this one - would make a great christmas gift to anyone you know who has done reiki one, two or masters.

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Senin, 21 Maret 2016

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Um Kosten zu sparen, werden Operationen häufig ambulant durchgeführt. In dem Band erläutert ein erfahrenes Herausgeber- und Autoren-Team, wie ambulantes Operieren effektiv und ökonomisch umgesetzt werden kann. Mit dem Schwerpunkt auf strukturellen, organisatorischen, forensischen und ökonomischen Aspekten bietet der Band das notwendige Wissen, um ambulante OP-Einrichtungen aufzubauen und zu überprüfen. Mit Beispielen aus verschiedenen chirurgischen Fachgebieten. Die 2. Auflage wurde komplett überarbeitet und auf den neuesten Stand gebracht.

  • Sales Rank: #3879650 in eBooks
  • Published on: 2012-04-23
  • Released on: 2012-04-23
  • Format: Kindle eBook

Review

Aus den Rezensionen zur 2. Auflage:

“… Dieses umfassende  werk bietet sowohl für Kliniks - / Verwaltungs-direktoren als auch Ärzte in ambulanten OP-Einrichtungen/Praxen und Gesundheitsökonomen hilfreiche Planungs- und Steuerungsansätze ... hervorzuheben sind die klar strukturierten Kapitel über die gesetzlichen organisatorischen Rahmenbedingungen...“ (PD Dr. Med. Martin Zoremba, in: AINS Anästhesiologie Intensivmedizin Notfallmedizin Schmerztherapie, Jg. 49, Heft 3, 2014)

“... bietet sowohl für Kliniks-/Verwaltungsdirektoren als auch Ärzte in ambulanten OP Einrichtungen/ Praxen und Gesundheitsökonomen hilfreiche Planungs- und Steuerungsansätze. Insbesondere die Praxisnähe des Buchs ... stellen einen Ausblick mit Lösungsstrategien vor. Das macht den leser "fit for the future" ... einen umfassenden den verständlichen Überblick über den komplexen Bereich der ambulanten operativen Versorgung“ (in: AINS Anästhesiologie Intensivmedizin Schmerztherapie, März 2014, Jg. 49, Heft 3)

„Ambulantes Operieren" titulieren die beiden Herausgeber das 176 Seiten umfassende Werk, in dem sie mit 16 weiteren Autoren „Rahmenbedingungen, Organisation (und) Patientenversorgung" dieser hochaktuellen und rasant wachsenden Behandlungsform beschreiben. In elf Unterkapiteln werden unter anderem wichtige Unterschiede zwischen ambulanter und stationärer Behandlung angesprochen von der Aufklärung der Patienten bis zur Prophylaxe und Therapie von Komplikationen und Zwischenfällen. Fast 60 % des Buches befassen sich mit rein anästhesiologischen Fragen, wohl geschuldet der Tatsache, dass von den insgesamt 18 Autoren 13 Anästhesisten sind. Einige ihrer Beiträge enthalten eher propädeutische „Kochrezepte" für Anästhesisten (z.B. in den Kapiteln 6, 9 und 10), sodass mitunter die Versuchung aufkommt, den Buchtitel in „Ambulantes Anästhesieren" umzutaufen. Hier wäre übrigens eine bessere Abstimmung zwischen den Autoren wünschenswert gewesen, da doch manche Redundanzen in den verschiedenen Beiträgen aufscheinen. Besonders hilfreich sowohl für Operateure wie Anästhesisten, die sich an der ambulanten operativen Versorgung beteiligen wollen, dürften das Kapitel über die derzeitigen gesetzlichen und betriebswirtschaftlichen Rahmenbedingungen sowie der Beitrag zu verschiedenen Organisationsmodellen sein. Hier werden die gesetzlichen Vorgaben präzise umrissen und die darin eingebetteten wirtschaftlichen Aspekte einschließlich der z.T. sehr komplexen (und komplizierten) Abrechnungsmodalitäten ausführlich und kritisch dargestellt und beispielhaft unterlegt. „Organisation ist nicht alles, aber ohne Organisation ist alles nichts!". J. Busse und T. Standl machen in ihrem aus großer Erfahrung gespeisten Beitrag sehr deutlich, dass patientenfreundliches „ambulantes Operieren" nur dann effizient (und damit auch wirtschaftlich) möglich ist, wenn es in einer klar strukturierten Organisation erfolgt, sei es in den Operationsbetrieb eines Krankenhauses integriert oder – sicher effizienter – in einer selbständigen Einheit, die dem Krankenhaus assoziiert ist. Dieser besonders lesenswerte Beitrag wird ergänzt durch einen Anhang am Schluss des Buches mit den einschlägigen Vertragswerken zum ambulanten Operieren, den Bekanntmachungen der kassenärztlichen Bundesvereinigung und wichtigen Internetadressen. Es ist ein hilfreiches Buch, das in der Tat zum „Verständnis der gesetzlichen, medizinischen, organisatorischen und ökonomischen Aspekte des ambulanten Operierens" beiträgt und damit den im Vorwort geäußerten Wunsch der Herausgeber erfüllt.

Prof. Dr. Dr. h. c. R. Purschke

Dortmund

About the Author

Professor Dr. Thomas Standl, Klinik für Anästhesie und operative Intensivmedizin, Städtisches Klinikum Solingen, Akademisches Lehrkrankenhaus der Universität Köln

Dr. Christoph Lussi, Arzt für Anästhesiologie, Solingen

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Kamis, 17 Maret 2016

^^ Download Half Light: and Other Short Stories, by Neil M. Gunn

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Half Light: and Other Short Stories, by Neil M. Gunn

Neil M. Gunn is celebrated as one of Scotland’s foremost novelists of the 20th century. Less well known is that he was also a perceptive and meditative essayist and accomplished writer of short stories. This collection draws some of its short stories from two previous collections but others are published for the first time. The stories are attractive in their own right and are also a gateway to a greater understanding of Gunn’s essential thinking on life and living.

  • Sales Rank: #623509 in eBooks
  • Published on: 2012-11-06
  • Released on: 2012-11-06
  • Format: Kindle eBook

Review
'Lively writing which makes enjoyable reading in the 21st century.' The Scots Magazine '...a new collection of Gunn's short fiction ... while set in the Highlands they deal with universal human preoccupations'. Jim Gilchrist, The Scotsman

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1 of 1 people found the following review helpful.
Neil Gunn's books are always a delight
By R. Clay
Neil Gunn's books give pleasure by their well written and deep content. The stories are thought-provoking and inspiring. I highly recommend this author and collect as many of his books as possible. Can't go wrong with a Neil Gunn book!

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Selasa, 15 Maret 2016

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Today's world is difficult for everyone, especially teenagers. They face the stresses of school, deciding whom to date, and the biggie of sex, just to name a few. Imagine all of those things ten times worse, and you might get an idea of what it's like being a living, breathing teenage vampire. At last, the world can read about the life of a girl with good teeth, her problems with strong sunlight that gave her spots, and the sunblock that made her hair go yucky and produced more spots. Yes, sunlight was dangerous, as she could be the first teenager in history to die from terminal acne! In her everyday life, older vampires expected her to walk about at night in the traditional female uniform, a see-through, 18th-century nightdress, without undies! Well, this female vampire knew why the cold winds blowing along the corridors were called, "male winds," so she wore her see-through nightdress over jeans and a very thick jumper. To be sure that people would still know she was a vampire, the jumper had a very large, pink bat on it. And as to guys, well, it was normal for a girl to dream about guys; she just wished the dreams could have involved chocolates and holding hands, not leaping out at someone, ripping off his shirt, and demanding to know what blood type he was (at least not on the first date).


This is not your typical vampire story where vampires are jumping in bed with humans or are entangled with werewolves for one reason or another. This is the story of a teenage vampire who is just trying to survive in her day to day existence. It is humorous and will make you laugh out loud when Amy is just being her own unique self.


She has a way with words that is like no other. Amy is so outrageous that you can't help fall in love with her. I'm sure she would have something to say about that... No matter! The book is a delight and if you are into the strange and unusual, you must get your copy and see for yourself. You better get a copy unless you want to hear from the author. She has her own version of bending you to her will. In all seriousness, get your copy, it is a great book.


  • Sales Rank: #893047 in eBooks
  • Published on: 2012-10-31
  • Released on: 2012-10-31
  • Format: Kindle eBook

About the Author
The Author Amelia Mah is a 20 something snarky, sarcastic and cynical author who has a very popular blog of how she sees the world from the point of view of a modern teenage vampire Following the success of her first book "FANGS RULE A girls guide to being a vampire" she had now expanded the idea of life as a teenage vampire into a full novel Amelia has given her avatar her own name so you can see the world first hand from a very bored teenage vampire that has been forced to remain a teenager for far too long She may have very good teeth and the ability to hang from ceilings but life is far from easy. Today's world is difficult for everyone, especially teenagers. They face the stresses of school, deciding whom to date, and the biggie of sex, just to name a few. Imagine all of those things ten times worse, and you might get an idea of what it's like being a living, breathing teenage vampire. At last, the world can read about the life of a girl with good teeth, her problems with strong sunlight that gave her spots, and the sunblock that made her hair go yucky and produced more spots. Yes, sunlight was dangerous, as she could be the first teenager in history to die from terminal acne! In her everyday life, older vampires expected her to walk about at night in the traditional female uniform, a see-through, 18th-century nightdress, without undies! Well, this female vampire knew why the cold winds blowing along the corridors were called, "male winds," so she wore her see-through nightdress over jeans and a very thick jumper. To be sure that people would still know she was a vampire, the jumper had a very large, pink bat on it. And as to guys, well, it was normal for a girl to dream about guys; she just wished the dreams could have involved chocolates and holding hands, not leaping out at someone, ripping off his shirt, and demanding to know what blood type he was (at least not on the first date).

Most helpful customer reviews

3 of 3 people found the following review helpful.
Take a bite out of this book!
By Amazon Customer
I enjoyed this book a lot more after reading the guide to being a vampire that is also available. This is a really funny book. I think that girls would enjoy it more than boys because the main character is a girl.

1 of 1 people found the following review helpful.
Vampires With Bite And Edge
By Virgil Allen Moore
Amy Mah has one hell of a way with words. Her characters are sharp, well thought out, detailed, and extreme in their own ways. The author also isn't afraid to kill characters, something that I find a lot of other authors should think about. At any given point, you don't know who is going to live or die. It's like the walking dead with vampires instead of zombies! Read this well versed book now and enjoy the style, flare, and outright audacity of this amazing writer.

Virgil Allen Moore
Author of Demon Vampire
Demon Vampire (The Redgold Series)
[...]

0 of 0 people found the following review helpful.
Genuinely fun tale of Undead Teens
By David
Okay I'll admit to not really being that much into anime. And this book very much fits into that genre. That initially interfered with my enjoyment, with the central character whining SO MUCH and the male vampires making Neanderthals look like Brad Pitt when it comes to gender politics. But...

After a few chapters the whole thing really grew on me. This makes for an original and entertaining "take" on vampires, as a distinct species who surround their lives with rules just to keep from killing each other (they are uber-predators). More, there's the intriguing idea of some vampires being able to recall their more ancient lives, at least to some degree. Plus the whole thing has a neat sense of humor behind it. Coupled with something I love in fantasies--a sense the world is beyond the page. Like (for example) HARRY POTTER, this book gives the strong emotional impression things have been going on long before the story begins and that lots of stuff happens where we don't see it. Not as easy or as common a think as it sounds!

True, a few characters (like the narrator's Aunt) remain total cyphers. Which is a shame. And the sense of time feels off here and there. But I'm well and truly looking forward to the next book in the series!

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Minggu, 13 Maret 2016

** Fee Download The Complete Book of Silk Screen Printing Production, by J. I. Biegeleisen

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The Complete Book of Silk Screen Printing Production, by J. I. Biegeleisen

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The Complete Book of Silk Screen Printing Production, by J. I. Biegeleisen

This book gives a clear and complete picture of every aspect of press operation and silk screen technique — from individually operated manual presses to modern automatic presses capable of turning out 2,000–3,000 impressions an hour — and indicates its great versatility and range of applications. Extremely thorough in its coverage of the subject, this volume includes practically everything of importance known about the silk screen process.
After a brief historical account, which shows how screen process has become one of the most important of the graphic arts, the author provides detailed information on basic tools and equipment, stencil making and photo stencil methods, multicolor work, facts about paints, lacquers, and other compounds, and tips on matching colors and mixing the right colors for specific jobs.
There are chapters on printing of decalcomanias, characteristics of different surfaces, textile and wallpaper printing, appliqué materials, printing on cylindrical and unusual surfaces, silk screen as a fine art (serigraphy), die cutting and finishing, automation in the industry, and other topics. Completely serviceable to the commercial operator, the book also contains discussions of estimating procedures, relative costs and selling prices, and plant layout and shop management.
The various steps in the process are all illustrated by numerous photographs and drawings. Other illustrations show modern plants and machines, presses and other equipment, and examples of printing on containers, glassware, fabrics, etc. In addition to a brief bibliography of books and publications on the subject, there is a list of major manufacturers and dealers in screen process materials for convenient reference.
A fully practical manual, and for anyone working in the graphic arts, this book was written by an expert with over 25 years' experience in the field. As a man who has worked in every phase of silk screen work (from printing, paint mixing, layout, and lettering to managing, consulting, and teaching) and as the author of a number of other books on screen process, Mr. Biegeleisen is notably qualified to discuss all techniques, problems, and situations; in this book, he has produced the best and most authoritative guide to a rapidly growing field.

  • Sales Rank: #1320708 in eBooks
  • Published on: 2012-04-26
  • Released on: 2012-04-26
  • Format: Kindle eBook

Most helpful customer reviews

124 of 126 people found the following review helpful.
don't waste your time
By A Customer
if you are looking for a D.I.Y. book on silk screening look elsewhere. this is more of a historical review of the process. the book was copywritten in the '60's so there isn't any "new technology" in the content.

51 of 51 people found the following review helpful.
Screen Printing History
By eric braun
If you want a good history from the 60's of screen printing then this is the book for you. It was first published in 1963 and hasn't been updated since. Old black and white pictures are included that would be seen in an old Popular Mechanics to include the hand drawn illustrations. If your looking to review or learn new techniques or just refresh your memory this is not the book to get. I'm starting my own business and after being out of it for a few years I was wanting a refresher book I could look to. This was not the one.

1 of 1 people found the following review helpful.
The Complete Book of Silk Screen Printing
By T. M. Woodfield
An interesting historical look at the nuts and bolts of screen printing in the early times. Fascinating for history buffs but of limited practical use in today's world.

At its original publication it would have provided an incredible insight in to the then modern techniques.

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Sabtu, 12 Maret 2016

^^ Get Free Ebook Crop Production for Agricultural ImprovementFrom Springer

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Crop Production for Agricultural ImprovementFrom Springer

In the recent years, the looming food scarcity problem has highlighted plant sciences as an emerging discipline committed to devise new strategies for enhanced crop productivity. The major factors causing food scarcity are biotic and abiotic stresses such as plant pathogens, salinity, drought, flooding, nutrient deficiency or toxicity which substantially limit crop productivity world-wide. In this scenario, strategies should be adopted to achieve maximum productivity and economic crop returns. In this book we have mainly focused on physiological, biochemical, molecular and genetic bases of crop development and related approaches that can be used for crop improvement under environmental adversaries. In addition, the adverse effects of different biotic (diseases, pathogens etc.) and abiotic (salinity, drought, high temperatures, metals etc) stresses on crop development and the potential strategies to enhance crop productivity under stressful environments are also discussed.

  • Published on: 2012-06-02
  • Released on: 2012-06-02
  • Format: Kindle eBook

From the Back Cover
In the recent years, the looming food scarcity problem has highlighted plant sciences as an emerging discipline committed to devise new strategies for enhanced crop productivity. The major factors causing food scarcity are biotic and abiotic stresses such as plant pathogens, salinity, drought, flooding, nutrient deficiency or toxicity which substantially limit crop productivity world-wide. In this scenario, strategies should be adopted to achieve maximum productivity and economic crop returns. In this book we have mainly focused on physiological, biochemical, molecular and genetic bases of crop development and related approaches that can be used for crop improvement under environmental adversaries. In addition, the adverse effects of different biotic (diseases, pathogens etc.) and abiotic (salinity, drought, high temperatures, metals etc) stresses on crop development and the potential strategies to enhance crop productivity under stressful environments are also discussed.

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Raffles and the British Invasion of Java, by Tim Hannigan

On a hot August afternoon in 1811, an army of 10,000 British redcoats splashed ashore through the muddy shallows off Batavia (the former name of Jakarta, Indonesia’s capital) to conquer the Dutch colony of Java. They would remain there for five turbulent years. Drawing on both British and Javanese archival sources, this entertaining and highly readable narrative history-cum-biography explores the bloody battles and furious controversies that marked British rule in Java, and reveals the future founder of Singapore, Thomas Stamford Raffles – long celebrated as a hero, a liberal and a visionary – in a shocking new light, showing how he crushed dissent, looted palaces and incited massacres to further his own insatiable ambitions. The book features the dramatic Battle of Batavia, the sinister British expedition to Palembang, the 1812 sacking and looting of Yogyakarta, and various fights between soldiers and civilians, buffaloes and tigers, and Englishmen and Javanese.

  • Sales Rank: #968422 in eBooks
  • Published on: 2012-11-01
  • Released on: 2012-11-09
  • Format: Kindle eBook

About the Author
Tim Hannigan (London, UK) is an author and journalist specialising in Indonesia and the Indian Subcontinent. His first book, Murder in the Hindu Kush (The History Press, 2011), is a biography of the intriguing 19th-century British explorer George Hayward, and was shortlisted for the 2011 Boardman Tasker Prize.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Tour de force - read it if you want the unauthorised biography of Raffles
By Hian Goh
This book was recommended to me by a friend who is a well renowned Indonesian publisher. I remarked one day to him, "I want to write a book called: Raffles was a badass". He replied, "Its already been written" and handed me this book from the shelf of the bookstore.

As a Singaporean, Raffles has been a whitewashed character, a visionary and a unblemished founder of our country. Yet my initial fact findings started to unearth discrepancies. From his dispute with William Farquhar to the way in which Singapore was founded, I knew in my gut that there was more to the story of Raffles.

Tim has made spectacular sense and provided a colour about Raffles which surpasses the current dogma. Raffles at the end of the day was a man with his flaws, and I do believe that Tim has done justice in painting a fair picture of a colonialist who was struggling to pursue fame and fortune, and not a altruistic statesman which we have been lead to believe.

I thoroughly recommend this book.Thrilling romp through the history of South East Asia.

4 of 4 people found the following review helpful.
Excellent read
By danny boy
In 1811, the British invaded the isle of Java to keep it from falling into Napoleonic hands. This was gloriously depicted in pro-British books and fawning biographies of Stamford Raffles, furthermore, amplified by Raffles own monumental book "History of Java".

But this book says otherwise. It retells the story of derring-do and skullduggery of an unheralded period in Javanese history. The British stayed on for 5 mismanaged years before handing the territory back to the Dutch. Key players in this book are Sir Stamford Raffles, Maj Gen Rollo Gillespie, Lord Minto and other supporting characters. This is only obviously apparent now because the author has pieced together documents from various sources, and represented the chronology of events and facts which debunk this period as anything but glorious.

The writing style is very accessible.

1 of 1 people found the following review helpful.
Hooray for Raffles!
By Tankhouse Tom Cooper
A workmanlike job. Raffles has been much written about, but Hannigan successfullyportrays him as a unique and marvelous character who, despite sometimes being at cross purposes with his employer, the British East India Company rose from obscure beginnings, and little education, to the heights of early 19th century British society. He is a revered and almost mythological figure in Singapore and other parts of Southeast Asia.

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